The Film Stage

The most striking thing about Audrey Diwan’s reinterpretation of Emmanuelle––the infamous novel-turned-softcore franchise from fabulously named director Just Jaeckin––is that the original dramatic beats largely remain intact. Perhaps this is why it received a critical drubbing at its San Sebastian...

Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. By the time this list is published, I will be an official inhabitant of Lyon, France, the...

Much of Australian cinema lives in the shadow of Peter Weir, and perhaps nothing of his own looms larger than Picnic at Hanging Rock. I’m sure the film is quite beautiful, but––having only seen it on a less-than-ideal DVD––its power...

With only two features under his belt, British musician Daniel Blumberg has already cemented his name in film history. After debuting scoring abilities on 2020’s The World to Come, the composer extraordinaire is back four years later with a monumental...

Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. In a cinematic year as rich and ripe for discovery as any of the most illustrious years...

What is quite obviously the best film news of 2025 thus far (and will be tough to beat in the foreseeable future) comes via Variety, who tell us Shout! Studios have acquired worldwide rights (minus certain Asian territories) to 156...

While we’ve still not learned what Bertrand Bonello’s “completely different” follow-up to The Beast might be, it’s safe to say a verdant 2024 put his stock at a record high. In the meantime he’s made the rare venture into scoring...

Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. Last year I used this space to speak about the ongoing genocide occurring in Gaza and this...

The British cinema––indeed an entire strand of understanding around modern drama––does not exist without Mike Leigh. When it was learned some years ago that Leigh was struggling to obtain financing for a new film, the outrage among cineastes was commensurate...

Sometimes, you must admit you’re a bit of a softie. I came to this realization while tearing up at the end of the new documentary Every Little Thing. In form, it’s largely unremarkable. Yet something connected with me about this...