The Film Stage

Cannes Review: It’s Not Me Finds Leos Carax Reflecting on 40 Years of Filmmaking with No Nostalgia
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Headlines read, “Leos Carax Bring Back Baby Annette to the Croisette,” but this is only half the truth. Yes, the legendary puppet makes a comeback in C’est Pas Moi (English: It’s Not Me), his new film in Cannes’ non-competitive Premiere...
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Cannes Review: Filmlovers! is Arnaud Desplechin’s Refined Ode to Cinema
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For his tenth Cannes feature premiere, Arnaud Desplechin chose to present a docu-fictional love letter to cinema. Two years after Brother and Sister was in Competition, Spectateurs (or Filmlovers!) is one of the festival’s Special Screenings, an effervescent walk down...
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Cannes Review: The Balconettes is Noémie Merlant’s Self-Assured Take on Comedy-Horror
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The chic balconies of Marseille certainly offer an image that is photogenic enough to open Noémie Merlant’s sophomore feature, The Balconettes, especially as seen from the meandering perspective of a crane shot. As the camera traces facades and their baby-blue...
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Cannes Review: Motel Destino is a Noirish Fever Dream that Sparkles with Sweat and Lust
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Simply put, Brazilian motels are places for people to have sex. Everyone knows it, no one objects to it. You pay by the hour and the suite is yours––a big bed, porn on-demand, bring red or blue lighting to illuminate...
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Cannes Review: Grand Tour Marks an Enchanting Return for Miguel Gomes
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If Chris Marker and Preston Sturges ever made a film together, it might have looked something like Grand Tour, a sweeping tale that moves from Rangoon to Manila, via Bangkok, Saigon and Osaka, as it weaves the stories of two...
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NYC Weekend Watch: Cutter’s Way, Princess Mononoke, Jacques Rivette, & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. Film ForumFilms by Scorsese, De Palma, Woody Allen, Coppola, Jarmusch, and the Coen Brothers play in “Out of the 80s,“ which includes Cutter’s Way on 35mm; Le Samouraï continues in a new 4K restoration; Raiders of the...
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New to Streaming: Civil War, About Dry Grasses, Ferrari, Stress Positions & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. About Dry Grasses (Nuri Bilge Ceylan) Nuri Bilge Ceylan made a triumphant return to...
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Cannes Review: Coralie Fargeat’s The Substance is an Overstimulating, Impressive Thrill
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Coralie Fargeat made a splash with her debut Revenge. But she was only standing in a puddle, endearing niche corners of the global cinephile community to her cinematic bloodlust for sexually violent men and gore-horror filmmaking. With her second, The...
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“Films Can’t Fix Lives”: Arnaud Desplechin on Filmlovers!, The Fabelmans, and Jean-Luc Godard
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When it was announced Arnaud Desplechin’s next feature Spectateurs! (titled the less-appealing Filmlovers! in English) would be a) a docu-fiction hybrid; b) about cinema and, in particular moviegoing; c) a continuation of the Paul Dedalus saga that’s starred Mathieu Amalric...
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Cannes Review: Universal Language is a Beguiling, Surrealist Ode to Persian Cinema
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In Universal Language, a man makes a journey to his childhood home and meets the family now living there––these are at least the broad strokes. The director is Matthew Rankin, a Canadian filmmaker whose work usually requires less-basic terms. In...
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