The Film Stage

NYC Weekend Watch is our weekly round-up of repertory offerings. Brooklyn Center for Theatre ResearchÉric Rohmer’s A Tale of Autumn screens on Sunday courtesy of Amnesiascope and Rohmer Fits. Roxy CinemaA 35mm print of Silent Hill shows Friday and Saturday,...

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Bad Boys: Ride or Die (Adil El Arbi and Bilall Fallah) Bad Boys: Ride...

With only three stellar features to her name in the last two-plus decades, The Forest for the Trees, Everyone Else, and Toni Erdmann, every new film from Maren Ade comes with much anticipation. While she’s also stayed busy producing no...

Writer-director duo Scott McGehee and David Siegel have been working together for 30 years, since their debut thrilled Suture in 1994. Since then, they’ve only made seven films, with their latest being The Friend, a comedy-drama adaptation of Sigrid Nunez’s...

With only two feature films, Georgian writer-director Dea Kulumbegashvili has collected some of the highest accolades in the film world. Her astonishing debut Beginning received a Cannes label at the festival’s canceled pandemic edition and won four of the seven...

Working at quite a steady clip, Justin Kurzel followed up True History of the Kelly Gang and Nitram with The Order, which premiered this fall at Venice Film Festival. Starring Jude Law, Nicholas Hoult, Tye Sheridan, Jurnee Smollett, Alison Oliver,...

Many films have dared to ask if a man and a woman can ever just be friends, but very few have managed to answer in the affirmative. For most of its first half, All of You appeared destined to wind...

One of the most acclaimed films of the year, Payal Kapadia’s dazzling Cannes Film Festival Grand Prize winner All We Imagine as Light is now finally rolling out stateside. After stops at Telluride, TIFF, and NYFF, Sideshow and Janus Films...

Steve McQueen has long been upfront about his desire to make a musical; before Widows underwhelmed at the box office, it appeared likely that a passion project within that genre would be his next film. With each subsequent effort, it...

For a certain kind of cinephile (e.g. me) more than a decade’s been spent wondering about Julia Loktev. The brilliant director behind Day Night Day Night and The Loneliest Planet has been largely off-the-grid since the latter’s release in 2011,...