The Film Stage

Cannes Review: The Apprentice Is a Deep-Dive Diss of Donald Trump and the American Soul
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For a biopic about Donald Trump, The Apprentice is surprisingly concerned with other things. The film has exactly what you might expect and somehow a curiosity around every corner, a familiar historical intrigue firmly planted in a tonal shock. The...
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Cannes Review: Renate Reinsve Proves Brilliant In Halfdan Ullmann Tønde’s Debut Armand
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How is a child’s life different from that of adults today? What is it like growing up around stimuli, in a world that is always-online, and with varying degrees of supervision? Is complete safeguarding even possible? These are questions contemporary...
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A Vittorio De Sica Masterwork is Restored in New Trailer for Shoeshine
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While certainly best-known for Bicycle Thieves, Vittorio De Sica’s vast, varied body of work is worth diving into. This June, those in NYC can experience quite a taste of it with four films by the director at Film at Lincoln...
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A Mystery Unfolds In First Trailer for Alain Guiraudie’s Cannes Premiere Misericordia
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The Cannes crush can be so unforgiving. This year’s case in point: Misericordia has premiered to relatively little notice despite being the latest by the great Alain Guiraudie. This is no doubt owed to placing out of competition and into...
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MUBI’s June 2024 Lineup Features Ryusuke Hamaguchi, Abbas Kiarostami, Hirokazu Kore-eda & More
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MUBI has unveiled next month’s streaming lineup, featuring recent releases such as Hirokazu Kore-eda’s Monster, Tynan DeLong’s Dad & Step-Dad, and Rachel Lambert’s Sometimes I Think About Dying. Additional highlights include Ryusuke Hamaguchi’s Passion, Abbas Kiarostami’s Certified Copy, Alex Thompson’s Saint...
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Cannes Review: Limonov: The Ballad Finds Ben Wishaw Leading a Boisterous Biopic
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At a wake for the murder of Russian journalist and activist Anna Politkovskaya, shot dead in 2006 in the elevator of her apartment block in Moscow, French writer Emmanuel Carrère spotted a familiar silhouette. Though born Eduard Veniaminovich Savenko, by...
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First Look at Benny Safdie’s The Smashing Machine Starring Dwayne Johnson and Emily Blunt
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Do you smell what The Rock is cooking? For the last decade-plus (at least post-Pain & Gain), Dwayne Johnson has been serving up four-quadrant blockbuster slop. Thankfully, he seems to be turning a new direction for The Smashing Machine, which...
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Jeff Nichols Will Adapt Cormac McCarthy’s The Passenger and Stella Maris
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When news broke last year of John Hillcoat adapting Blood Meridian, I had expressed some hope for similar treatment bestowed upon Cormac McCarthy’s final novels The Passenger and Stella Maris. This desire was almost entirely quixotic; his swan song is...
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Cannes Review: Jia Zhangke and Zhao Tao Speed Through 20 Years in Caught by the Tides
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Jia Zhangke’s is often a cinema of déjà vu: “We’re again in the northern Chinese city of Datong,” Giovanni Marchini Camia wrote for Sight and Sound back in 2019, “it’s again the start of the new millennium, Qiao is again...
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Cannes Review: Horizon: An American Saga – Part 1 Begins Kevin Costner’s Magnum Opus with Sweep and Grandeur
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Scale, sweep, or schadenfreude; whatever you might be seeking in the films of Kevin Costner, you tend to walk away with the vistas. Think of the golden plains and stampeding buffalo of his directorial debut Dances with Wolves; or the...
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