The Film Stage

Berlinale Review: Two Times João Liberada Explores the Limits of Representation
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Amongst the debut features populating Berlinale’s new section called Perspectives, none presented so admirably fresh take on fiction and political histories as Two Times João Liberada. The Portuguese hidden gem is directed by Paula Tomás Marques, who has made a...
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Exclusive Trailer for Allan Moyle’s The Rubber Gun Resurrects Canadian Drug-Pushers
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Canadian International Pictures, sister company to the great Arbelos Films, takes upon itself the noble mission of restoring and releasing lesser-seen films from up north. Their next project is a film I’d frankly never heard of, but upon watching a...
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John Lilly and the Earth Coincidence Control Office Review: An Illuminating Work of Cultural Archaeology
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The first time I came across the name John C. Lilly I was––rather fittingly, for reasons that will become clearer in a minute––not exactly sober. Late in the night or early in the morning, back from a housewarming party, my...
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Nicole Kidman Uncovers a Dark Secret in First Trailer for Holland
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Quite a long time in the works, with Errol Morris attached to direct as early as 2013, the thriller Holland (formerly known as Holland, Michigan) finally embarked on production in the spring of 2023 with Mimi Cave (Fresh) at the...
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Ben Burtt on How Modern Hollywood Has Lost a Sensitivity for Sound, Lightsabers, and the Wilhelm Scream
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It’s mid-July and I’m sitting in my living room, wondering what Ben Burtt, a man responsible for some of the most beloved cultural artifacts of the 20th century, will think of the decor. He appears on my screen calling from...
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Berlinale Review: What Does That Nature Say to You is Hong Sangsoo’s Meet the Parents
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The last time Hong Sangsoo failed to feature in a Berlinale program, Childish Gambino’s “This is America” was in the charts and Green Book was on its way to beating Roma at the Oscars. (2019 notwithstanding, you have to go...
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Berlinale Review: Denis Côté’s Paul is a Strikingly Moving Portrait of a Cleaning Simp
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Consider the logline: a 34-year-old, pre-diabetic, 250-pound, extremely anxious loner finds respite as a cleaning simp for dominatrices eager to belittle him as he tidies up their homes. Now think of the word simp: in Internet patois, a term denoting...
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Berlinale Review: Eel is a Slippery, Strange Drama of Great Beauty
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The most significant change introduced by new Berlinale director Tricia Tuttle is the cancellation of the Encounters sidebar which hosted many arthouse gems supposedly too experimental for the main competition. In its stead, Perspectives––a competitive section dedicated to first films––was...
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Berlinale Review: Gabriel Mascaro’s The Blue Trail Takes a Lively Journey Down the Amazon River
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The Blue Trail, the lively new film from Gabriel Mascaro, takes its name from the secretions of a mythical snail. Azure and oozing, the substance, when dropped on the iris, is rumored to grant a vision of things to come....
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Errol Morris Untangles a Web of Conspiracy in First Trailer for CHAOS: The Manson Murders
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After watching Zodiac Killer Project, it’ll be hard to view any true-crime mystery documentary the same way again. But if there’s one filmmaker who could pull it off, it’s Errol Morris. Just a few months after this last documentary Separated,...
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