The Film Stage

SXSW Review: Paul Rudd and Nick Jonas Strike a Chord in John Carney’s Power Ballad
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A film squarely in the wheelhouse of co-writer and director John Carney, Power Ballad plays the hits with a few heartfelt twists. It leans into the natural chemistry of its leads while exploring the cost of stardom, ownership, and identity...
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New to Streaming: Magellan, All That’s Left of You, Roofman & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. All That’s Left of You (Cherien Dabis) A sprawling, gripping drama that starts with...
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Maurice Pialat’s Magnum Opus Gets Restored in New Trailer for La maison des bois
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One of the most substantial restorations of the year is for Maurice Pialat’s seven-part epic La maison des bois (The House in the Woods), which follows a family living in the French countryside post-World War I. Previously only available in...
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First Look at Martin Scorsese’s What Happens at Night Starring Leonardo DiCaprio and Jennifer Lawrence
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Nearly three years after the Cannes premiere of Killers of the Flower Moon, Martin Scorsese has now embarked on shooting his next feature. Production began last month in the Czech Republic for Scorsese’s Patrick Marber-scripted adaptation of Peter Cameron’s haunting...
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“The Movie Is More Intelligent Than I”: Christian Petzold on Miroirs No. 3
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I’ve done interviews in many settings: multiplexes, screening rooms, green rooms, distributor offices, post houses, cafés, hotels—many hotels—or whatever space could be found then and there. (A conversation with a veritable architect of the modern cinema wound up in a...
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Wild Horse Nine Trailer: John Malkovich and Sam Rockwell Lead Martin McDonagh’s Dark Comedy
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Following up 2022’s The Banshees of Inisherin, Martin McDonagh is returning with John Malkovich, Sam Rockwell, Steve Buscemi, Mariana di Girolamo, Ailín Salas, Tom Waits, and Parker Posey for Wild Horse Nine. Although not set for a release until November...
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Late Shift Review: A Highly Intense, Single-Minded Procedural
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Leonie Benesch can’t catch a break. After being put through the wringer contending with the intense demands of the school system in the Academy Award-nominated The Teachers’ Lounge, the actor’s latest role finds her balancing another high-wire act in a...
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Mad Bills to Pay Trailer: Joel Alfonso Vargas’ Sundance, Berlinale, and ND/NF Selection Opens in April
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An impressive directorial debut and true New York tale, Joel Alfonso Vargas’ Mad Bills to Pay (or Destiny, dile que no soy malo) was a selection at Sundance, Berlinale, New Directors/New Films, BFI London, and more film festivals last year....
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Amnesiascope Presents Films by Raúl Ruiz and Dominik Graf on March 30 and 31
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If on sabbatical, return with the undeniable. Such was the thinking in programming films by two masters to mark the return of my screening series Amnesiascope, which is henceforth stationed just off Union Square at the newly christened Center for...
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April on the Criterion Channel Includes Out-of-Print Editions, Jacques Tourneur, Mary Bronstein, Trans Filmmakers & More
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Criterion’s history is longer and more complicated than anybody quite realizes, leaving some of their earliest (or even recent-ish) titles in a strange, semi-canonized state. I’m thus excited by a program, debuting April, that resurrects certain of Criterion’s left-behind releases:...
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