The Film Stage

When considering a film, it can be healthy to have some skepticism, no matter what genre or subject matter is at hand. With regards to Omen, we have a Belgian-Congolese co-production, a highly intriguing contradiction to consider between the colonizer...

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Billy (Zachary Epcar) An emerging experimental filmmaker uses a series of 16mm close-ups to...

While her performance in Bottoms may have gotten the most buzz out of South by Southwest Film Festival last year, Rachel Sennott also brought a dramedy to the festival. Ally Pankiw’s debut I Used to Be Funny follows that actor...

Before we can even get on the record, before that most familiar robot warning of “This meeting is being recorded,” Frederick Elmes is swapping stories about Albert Brooks. After greeting me by name, he mentions a news piece I had...

Ahead of a festival kicking off in just about a month, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, have unveiled the selection of the 77th edition of the Cannes Film Festival. Led by the...

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Jenny Nulf to discuss Dev Patel’s directorial debut Monkey Man. Enter our giveaways, get access to our private Slack channel, and support...

Rarely do we make note of single-digit seconds’ footage, but when it’s two films that ranked among our 50 most-anticipated films of 2024––one landing very high on that list––exceptions can be made. Just to say Bleecker Street Films have posted...

After rounding out a fruitful festival run that spanned Venice to last month’s First Look, Bill Ross IV and Turner Ross’s seventh feature Gasoline Rainbow opens on May 10, courtesy MUBI. Ahead of the road-trip movie’s theatrical debut, there is a...

Is Aggro Dr1ft the future of cinema? Not in any quantifiable, justifiable sense. Does it have anything to say? I admire Harmony Korine using infrared images and abstract editing to convey anxieties about growing older, being a married man, and serving as...

Outside of perhaps Steven Spielberg and Janusz Kamiński, there may be no director-cinematographer collaboration that’s more extensive in modern-day cinema than that of Wes Anderson and Robert Yeoman. Having shot all of his live-action features, along with his recent Oscar-winning...