The Film Stage

I’m ‘George Lucas’: A Connor Ratliff Story Review: A Loving Portrait of a Unique Comedian
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There is something genuinely heartfelt about I’m ‘George Lucas’: A Connor Ratliff Story. Directed by Ryan Jacobi, the documentary tells the story of New York-based comedian Connor Ratliff and his long tenure playing “George Lucas” on The George Lucas Talk...
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True/False Review: Spermworld Explores the Commerce, Evolution, and Relationships of Sperm Donation
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While many companies were affected by shortages brought on by COVID-19’s disruption, some may not be top of mind when it comes to everyday commerce. Enter filmmaker Lance Oppenheim, whose latest work Spermworld depicts the evolution of sperm banks. There’s...
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David Chase to Direct First Film in Over a Decade
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Premiering 25 years ago this January, David Chase’s crime saga The Sopranos has been a blessing and a curse for the creator. On the former side, he was behind what is still among the greatest television shows to grace the...
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George Miller Drops New Furiosa Trailer, Reveals Why He Didn’t De-Age Charlize Theron
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When it comes to the summer blockbuster slate, aside from a new thriller from M. Night Shyamalan and the first two parts of Kevin Costner’s western saga, the only other studio release that brings much interest is George Miller’s Furiosa:...
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Riddle of Fire Director Weston Razooli on Zelda, Miyazaki, and Learning From Bad Movies
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In the recent decades of Hollywood exporting slapped-together “children’s movies” to appease parents just looking to take their kids to anything that can pass the time, any film with an actual sense of youthful wonder in cinema feels like a...
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Femme Review: A Stylish, Subversive Queer Revenge Thriller
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It’s near-impossible to make a revenge narrative that doesn’t serve as a commentary on clichéd gender roles. Male-centered vengeance stories, even at their most knowingly ludicrous, typically focus on wounded men aiming to reassert the dominance stripped of them; female-centered...
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April on the Criterion Channel Includes Bertrand Bonello, Jean Eustache, William Friedkin & More
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April’s an uncommonly strong auteurist month for the Criterion Channel, who will highlight a number of directors––many of whom aren’t often grouped together. Just after we screened House of Tolerance at the Roxy Cinema, Criterion are showing it and Nocturama...
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Peter Weir Confirms His Retirement From Directing: “I Have No More Energy”
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While each year brings a few films here and there to make one long for Hollywood’s return to an era of producing quality mid-budget movies not strictly for a four-quadrant demographic, it seemed the last gasp of such a time...
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Joe Dante Sets First Film in a Decade with Little Shop of Halloween Horrors, Produced by Roger Corman
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After dabbling in TV for much of the last decade, Gremlins and The Howling director Joe Dante is set to return to feature filmmaking with his first project since 2014’s Burying the Ex. Dante, who kicked off his career in...
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Road House Review: Jake Gyllenhaal Elevates Doug Liman’s Tonal Rollercoaster of a Remake
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You need to tread a fine line when paying homage to 1980s action movies. Wink too much at the audience and it’ll either feel like you’re striving for cult status or telling the audience they shouldn’t take your film so...
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