The Film Stage

Michel Gondry’s Pharrell Williams-Inspired Biopic and Ezra Edelman’s Prince Documentary Will Never Be Released
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David Zaslav isn’t the only one in Hollywood completely scrapping already-shot feature films. This week brings news that a pair of high-profile forthcoming films in various stages of post-production will never see the light of day. First up, last year...
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Exclusive: Yorgos Lanthimos Plans Assassin Thriller Fatale
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Though he recently shot Bugonia and has long been attached to adapt perpetual subway read My Year of Rest and Relaxation, Yorgos Lanthimos has kept at least one other project deep in the background: from trusted sources we’ve confirmed he’ll...
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Bill Morrison on His Oscar-Nominated Short Incident and the Systemic Problems of Policing
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At the beginning of my review of The Village Detective: A Song Cycle, I wrote: “It is hard to overstate how important Bill Morrison’s work is to the language and history of cinema.” That was nearly four years ago, and...
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Posterized February 2025: Armand, Universal Language, The Monkey & More
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2025 is in full swing and a majority of America is probably looking for a means of escape from the literal and figurative flames engulfing their nation. A new entry in the “Zachary Levi only gets kids movies now” canon...
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New to Streaming: All We Imagine as Light, Matt and Mara, Suze, Jazzy & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. All We Imagine as Light (Payal Kapadia) Following up her enigmatic, beautiful debut A...
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NYC Weekend Watch: Obayashi, Willem Dafoe, Jean Cocteau, The Magnificent Ambersons & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. Japan SocietyA six-film Nobuhiko Obayashi retrospective, featuring imported 35mm and 16mm prints, begins (watch our exclusive trailer debut). Anthology Film ArchivesWillem Dafoe: Wild at Heart features films by Ferrara, Lynch,...
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Tsui Hark Returns In U.S. Trailer for Legends of the Condor Heroes: The Gallants
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Though once head-spinningly prolific, Tsui Hark hasn’t directed a solo feature since 2018’s Detective Dee: The Four Heavenly Kings, the time between then and now seeing one short in the Septet omnibus and two co-helmed entries in China’s über-popular Battle...
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Rotterdam Review: Alex Ross Perry’s Videoheaven is a Whirlwind Tour Through the Golden Age of the Video Store
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In Videoheaven, Blockbuster––to take after Thom Andersen––plays itself. Now deep in a pop-cultural-scholarship phase inaugurated by his last feature Pavements, Alex Ross Perry has made a generous, absorbing three-hour essay film-cum-documentary on nothing else but video-rental stores, those fabled and...
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Mark Jenkin’s Rose of Nevada Starring George MacKay and Callum Turner Gets First Image and Plot Details
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After Bait and Enys Men proved to be a pair of the most tactile, distinctive films of the last few years, director Mark Jenkin is expanding scope for his latest. The Cornish director finished production in secret this past summer on his time-travel mystery...
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Sundance Review: Rabbit Trap Sets Dev Patel in a Wholly Immersive Horror Story
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It’s always thrilling when a horror film explores the power and possibility of sound. Much modern horror is too quiet, missing the opportunity to create an immersive soundscape that fully transports viewers into its world. Writer-director Bryn Chainey’s debut feature...
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