Berlinale Review: Bruce LaBruce’s The Visitor is a Love Letter to Pasolini, Penned With Blood, Sweat, and Semen
It’s safe to call Canadian artist and filmmaker Bruce LaBruce a Panorama mainstay; it’s been two decades and counting since Hustler White premiered in this Berlinale strand in 1996. Between The Misandrists (Panorama, 2017) and his latest, The Visitor (Panorama...
continue reading













