The Film Stage

Isabelle Huppert to Lead Ulrike Ottinger’s Vampire Film The Blood Countess
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An auteur-actor pairing to nearly match last week’s word of Johnnie To and Tony Leung comes via Variety, who tell us Ulrike Ottinger will direct Isabelle Huppert in The Blood Countess, a vampire feature based on the infamous Elizabeth Báthory...
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Rotterdam Review: Takashi Miike’s Blazing Fists is a Pulpy Sports Crime Movie
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It’s hard to say what’s more endearing about Takashi Miike these days: that the director of Audition and Ichi The Killer is still out there producing work at the same, alarming rate (his last release, a TV movie remake of...
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Sundance Review: LUZ is an Emotionally Detached Mood Piece Searching for Connection
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With an evocative opening-credits sequence as the camera swirls through a virtual landscape of neon signs and lights, one might think they are witnessing the beginning of the next Gaspar Noé film. Thankfully what follows in Flora Lau’s second feature...
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Sundance Review: Seeds is a Beautiful, Haunting Documentary about the Wisdom of Elders
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Evoking Gordon Park’s black-and-white photographs of the New Deal Era, cinematographer Brittany Shyne’s powerful debut feature Seeds offers a portrait of a disappearing way of life for Black farmers in the American South. Its casual approach mostly reflects rhythms of...
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Sundance Review: In Omaha, a Desperate Dad Takes His Kids On an Unexpected Road Trip
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Early one morning, a single father and widower (John Magaro)––credited as Dad––wakes up his perceptive nine-year-old Ella (Molly Belle Wright) and mischievous six-year-old Charlie (Wyatt Solis) and asks them to pack a suitcase as quickly as they can. Everyone is...
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Sundance Review: André Is an Idiot is a Noble Document of a Dumb Decision
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There is an unbridled honesty to André Is an Idiot that is admirable, even if all of it doesn’t really work. It’s a simple, stark subject for a documentary: accomplished advertising creative André Ricciardi neglected to get a colonoscopy at...
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Sundance Review: Twinless Doubles Up Dylan O’Brien in Unpredictable, Dark Comedy
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Twinless starts like a prototypical Sundance movie––grim and serious, plus unexpected levity. That’s the general formula for a festival that might as well have manufactured the term “dramedy.” In this case there’s an offscreen car accident and quick cut to a...
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Sundance Review: Together Traps Alison Brie and Dave Franco in Relationship Horror
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Early in Michael Shanks’ directorial debut Together, Millie (Alison Brie) warns her boyfriend Tim (Dave Franco) that if they don’t “split up” now, it’s only going to be harder later. She didn’t know how right she was about that. After...
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11 Films to See in February
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With Sundance wrapped up, much of February’s attention toward the world of cinema will be on Berlinale. This month certainly isn’t stacked for new releases, but there’s a handful of gems and highlights worth having on your radar. 11. Bring...
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Sundance Review: BLKNWS: Terms & Conditions is a Poetic Celebration of the Past, Present, and Future of Black Culture
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Celebrating and condensing centuries of Black history that would take more than a few lifetimes for any scholar to thoroughly ascertain in totality, Kahlil Joseph’s BLKNWS: Terms & Conditions eschews dryly academy ethnographic study to deliver a kaleidoscopic, vigorous, engrossing...
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