The Film Stage

Sundance Review: Bunnylovr is a Compelling, Messy Character Study in Social Isolation
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Sensitive and nuanced, Katarina Zhu’s directorial debut Bunnylovr is a compelling character study that never quite makes sense of the messy life of personal assistant by day / cam girl by night Becca (Zhu). Perhaps that is the point, although...
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David Cronenberg’s The Shrouds Sets Spring Release as New Teaser Arrives
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After his long-awaited return with Crimes of the Future, David Cronenberg returned last year to the festival circuit with The Shrouds, a darkly funny conspiracy thriller led by Vincent Cassel, Diane Kruger, and newly minted Oscar nominee Guy Pearce. Picked...
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Sundance Review: If I Had Legs I’d Kick You Sets Rose Byrne in a Tense Nightmare
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Many films, from the classic melodrama Mildred Pierce to last year’s playful dramedy Nightbitch, have tried to depict the unique struggles of motherhood with a focus on the special intimacy of child-rearing. Mothers have long borne the brunt and most...
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Sundance Review: Love, Brooklyn Traces a Tender Romance Through a Vague Borough
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You can feel the warm breeze filtering through Love, Brooklyn, a gentle, dream-like summer movie that often teeters on the edge of reality. Rachael Abigail Holder’s debut feature, written by Paul Zimmerman, doesn’t necessarily drift in and out of abstract fantasy,...
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Sundance Review: Predators Examines the Moral Complexities of a Hit Reality Show
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Filmmaker David Osit gives viewers a lot to wrestle with in Predators, his documentary about the reality show To Catch a Predator, which captured the zeitgeist of the early 2000s. In the show, host Chris Hansen confronted adult men who...
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New to Streaming: Sundance 2025, Sing Sing, Babygirl, Den of Thieves 2: Pantera & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. 2025 Sundance Film Festival While Sundance Film Festival kicked off last week in Park...
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Frank Ocean Has Begun Shooting His Directorial Debut
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If the four-year gap between Frank Ocean’s debut studio album Channel Orange and his follow-ups Endless and Blonde felt long, it’s now been over double the wait to see if another album will ever materialize from the wunderkind artist. We...
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Sundance Review: Eva Victor’s Debut Sorry, Baby is a Singular Revelation
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Agnes’ (Eva Victor) life is defined by a sense of stagnancy. Four years after completing grad school in rural New England, she’s living in the same house and going to the same building, only now as a professor. Whatever true...
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Sundance Review: Train Dreams Captures a Small Life on a Big Scale
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There is a moment in Train Dreams, directed by Clint Bentley, where a tree gracefully falls to the earth, surrounded by lush green. Particles explode from the impact, the sunlight illuminating these small, insignificant specs. As the frame holds for...
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Sundance Review: Ira Sachs’ Peter Hujar’s Day Blends Documentary with Performance to Consider the Artist’s Life
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When I look at Peter Hujar’s portrait of poet Allen Ginsburg, taken on December 18, 1974, it’s strikingly nonchalant. Ginsberg is standing on the sidewalk, one hand in pocket and the other looped through the straps of a bag draped...
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