The Film Stage

New to Streaming: I’m Still Here, All We Imagine as Light, Trap, Every Little Thing & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. All We Imagine as Light (Payal Kapadia) Following up her enigmatic, beautiful debut A...
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NYC Weekend Watch: Scorsese Selects, Nightshift, Lou Ye & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaMartin Scorsese has programmed Living, Breathing New York, which starts with Shadows and a 35mm print of Heaven Knows What on Sunday; The Rubber Gun (watch our exclusive trailer...
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Andrew Davis on His New Novel Disturbing the Bones, Remembering Gene Hackman, and the Difficulties of Trying to Get Movies Made Today
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We love speaking with filmmaker Andrew Davis. In late 2023 The Fugitive director came on our podcast The B-Side to discuss a slew of hidden gems as well as the 4K release of his Harrison Ford blockbuster.  Davis is back...
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Exclusive Trailer and Poster for Love Hotel Restores Shinji Somai’s Pinku Classic
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Does the English language contain six sweeter words than “A Pinku Classic from Shinji Somai”? The last couple of years have seen his work restored and properly released with enough diligence and passion to elevate him from cinephile obscurity to...
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The Actor Review: André Holland is Terrific in Duke Johnson’s Surreal Solo Directorial Debut
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For as much light as The Actor is bathed in, it’s equally shrouded in darkness. Duke Johnson’s solo directorial debut is a film of bleary sun and swallowing night and almost nothing in-between. It wouldn’t make sense to depict the...
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SXSW Review: Death of a Unicorn is a Mythical, Predictable Genre Mash-Up
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A film with a few solid laughs and crowd-pleasing moments, Death of a Unicorn never quite pushes the envelope as far as it could or should. Landing somewhere between a traditional horror comedy and a Succession-lite satire, Alex Scharfman’s debut...
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SXSW Review: The True Beauty of Being Bitten by a Tick is a Fascinating DIY Bergman-Esque Experiment
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Falling somewhere between a horror film and dark comedy about wellness crazes, The True Beauty of Being Bitten by a Tick is, like director Pete Ohs’ previous Jethica, a film that suggests watching a play within a movie. Both features...
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SXSW Review: Jay Duplass’ The Baltimorons is a Sincere Throwback to Mumblecore’s Heyday
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A return to form for Jay Duplass, who’s also making his solo-directing debut, The Baltimorons is a charming throwback to the low-budget indies he directed with his brother Mark. Written and starring burly stand-up comedian Michael Strassner, the Baltimore-set film...
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The Day the Earth Blew Up: A Looney Tunes Movie Review: An Enjoyable Exercise in Updated Nostalgia
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We’ve had Looney Tunes for nearly a century. Leon Schlesinger produced their first short Sinkin’ in the Bathtub alongside animators Hugh Harman and Rudolf Ising in 1930. Almost 100 years later, the only Looney Tunes feature films (outside of theatrically...
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Philippe Lesage on Who by Fire, the Importance of Imperfection, and What TV Can Never Steal From Cinema
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Back at New Directors/New Films in 2019, I was struck by Philippe Lesage’s deeply moving, boldly structured coming-of-age tale Genesis, ultimately naming it one of my top 10 films of its respective year. Half-a-decade later the Quebecois filmmaker has finally...
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