The Film Stage

If the disheartening lack of creativity in Disney’s live-action remakes leaves one thinking these timeless stories have, in fact, run their course, leave it to Norwegian director Emilie Blichfeldt to find new life (and blood) with the Cinderella tale. Her...

NYC Weekend Watch is our weekly round-up of repertory offerings. Film ForumMichael Roemer’s Dying and Pilgrim, Farewell, screen (watch our exclusive trailer debut); AI: From Metropolis to Ex Machina continues; a print of The Music Man screens on Sunday. Anthology Film ArchivesWandering Women features...

It’s more than a little odd when a director’s follow-up film to an Oscar-nominated hit is being offloaded onto theaters in the frozen tundra that is “dumpuary.” It’s weirder, still, when press materials make an effort to essentially erase the...

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Blink Twice (Zoë Kravitz) Over a close-up of a turtle, ominous sound design builds...

Not to judge a film from the synopsis established by its marketing team, but those expecting director Aurélie Saada’s debut Rose––a 2021 Locarno premiere only now arriving on U.S. shores––to be a more explosive character drama in the vein of...

Why do we like Gerard Butler? As of the publishing of this piece, Den of Thieves 2: Pantera is performing as expected, looking to become yet another reliable, mid-budgeted programmer hit for the movie star. It’ll round out nicely in...

Martin Scorsese’s schedule has been uncertain of late. When we talked to Rodrigo Prieto in November he revealed they were supposed to be at work on a new project––not Home or Life of Jesus, which had both generated much heat...

In the fall of 2017 I worked at a media startup that covered the tech world. Having attended many tech conferences in that span of time, the panel that retains all these years later is one where I saw a...

As Berlinale contends and, even worse, complies with the German government’s censorship against expressing Palestinian liberation, the festival programmers are spotlighting perhaps the greatest cinematic work when it comes to illuminating historical persecution and genocide. Claude Lanzmann’s nine-hour 1985 masterwork...

With a filmography both so vast as to be barely comprehensible and often reduced to the cult favorite House, Nobuhiko Obayashi remains a perpetual object for further study. Even my own familiarity with his corpus doesn’t leave room for everything...