The Film Stage

CHAOS: The Manson Murders Review: Errol Morris Succinctly Investigates a Complex Conspiracy
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Over half a century later, what new information can be gleaned from the nights of August 9 and 10, 1969? Tom O’Neill and Dan Piepenbring’s riveting (if convoluted) book CHAOS: Charles Manson, the CIA, and the Secret History of the...
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NYC Weekend Watch: La Clef, Matías Piñeiro Selects, The Lady from Shanghai & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. Brooklyn Center for Theatre ResearchMy screening series Amnesiascope hosts the La Clef Revival Collective for a screening of Bye Bye Tiberias this Sunday. SpectacleMeanwhile, La Clef presents Rabah Ameur-Zaïmeche’s Dernier...
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Black Bag Review: Steven Soderbergh Delivers Slick, Barbed Spy Thriller
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If a James Bond or Mission: Impossible film excised all its action scenes––save a stray explosion or gunshot––while employing a script with a pop John le Carré sensibility, it might resemble something like Steven Soderbergh’s Black Bag. A hyper-slick, suave...
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Bruno Dumont on The Empire, Star Wars, and the Maelstrom of Human Nature
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Initially considered the heir to Robert Bresson, Bruno Dumont shocked audiences in 2014 with the heel-turn of his Twin Peaks-inspired miniseries P’tit Quinquin, which (were it not television) would certainly earn the label of An Extremely Goofy Movie. His switch...
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Exclusive Trailer for Robina Rose’s Extraordinary, Restored Nightshift Tracks One Night In a Hotel
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I wish there were an exact subgenre for Robina Rose’s Nightshift so I could see every single one of its kin. The British feature––recalling the austere melancholy of Chantal Akerman or films of its cinematographer, Jon Jost––has spent 40-plus years...
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In the Lost Lands Review: Paul W.S. Anderson Finds Poetry In the Fantasy Epic
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Before jumping directly into the action, Paul W.S. Anderson’s In the Lost Lands opens with a framing device we’ll return to only at film’s end. The George R. R. Martin adaptation otherwise gives no context whatsoever, and when the plot...
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New Directors/New Films Unveils 2025 Lineup
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After showcasing work from the likes of Ryûsuke Hamaguchi, Hou Hsiao-hsien, Kelly Reichardt, Pedro Almodóvar, Souleymane Cissé, Jia Zhangke, Spike Lee, Lynne Ramsay, Michael Haneke, Wong Kar-wai, Agnieszka Holland, Denis Villeneuve, Luca Guadagnino, and more, New Directors/New Films is back...
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Matías Piñeiro on You Burn Me, Departing Shakespeare, and Hong Sangsoo’s Constant Reinvention
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“Focus the text” commands a translation app pop-up at the mid-point of Matías Piñeiro’s new experimental essay film You Burn Me. It’s a mantra that the Argentinian filmmaker has taken to heart. Using Sea Foam, a chapter from Cesare Pavese’s...
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X-Rated Trailer for Bruce LaBruce’s The Visitor Offers Up an Explicit Game of Seduction
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After making a splash with his uncompromising incest drama Saint-Narcisse, underground Canadian filmmaker Bruce LaBruce returned to Berlinale last year with The Visitor, his explicit take on Pier Paolo Pasolini’s Teorema. Ahead of a release from Circle Collective starting this...
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Exclusive U.S. Trailer for Acclaimed French Thriller The Temple Woods Gang, Coming to NYC on March 12
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Named one of the 10 best films of Cahiers du Cinéma back in 2023, Rabah Ameur-Zaïmeche’s crime thriller The Temple Woods Gang is finally getting a proper U.S. release later this year from Several Futures. However, New York City audiences...
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