The Film Stage

Charles Burnett’s Landmark Masterpiece Killer of Sheep Gets New Theatrical Trailer for 4K Restoration
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It was just last week we published an interview with the great Charles Burnett, whose 1999 drama The Annihilation of Fish was finally resurrected and is now rolling out in theaters. This spring, Kino Lorber will now give another one...
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First Trailer for Michael Shannon’s Directorial Debut Eric LaRue Starring Judy Greer and Alexander Skarsgård
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After working with such directors as Werner Herzog, Sidney Lumet, William Friedkin, Guillermo del Toro, Rian Johnson, Jeff Nichols, and many more, Michael Shannon embarked on his directorial debut a few years ago. Eric LaRue, scripted by Brett Neveu based...
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Bring Her Back Trailer: Sally Hawkins Leads the Next Horror Feature From Talk to Me Directors 
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After being one of the biggest Sundance breakout stories in the last few years, Talk to Me filmmakers Danny and Michael Philippou quickly embarked on their next feature. Sally Hawkins, who opted out of the latest Paddington, is ready for some visceral...
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Berlinale Review: Yalla Parkour Paints a Resilient, Risk-Taking Portrait of Palestinian Life
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As horrifying images and videos of Israel’s forced displacement and ethnic-cleansing in Gaza, now supported with even more tenacity on the part of the United States regime, become the principal media representation of Palestinian lives, the importance of showing a...
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“Cinema Should Serve as a Doorway to the Transcendent”: Nino Martínez Sosa on Liborio
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Through the story of the religious leader Papá Liborio, Nino Martínez Sosa’s 2021 film Liborio deftly contends with the cultural, spiritual, and political forces of a colonized Dominican Republic. After establishing a Black, self-sufficient community in the rural hills of...
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The Criterion Channel’s March Lineup Features Michael Mann, Alain Guiraudie, Dogme 95 & More
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No streaming service does a director retrospective like the Criterion Channel, and March offers two masters at opposite ends of exposure. On one side is Michael Mann, whose work from Thief through Collateral (minus The Keep) is given a spotlight;...
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Berlinale Review: The Ice Tower is Lucile Hadžihalilović’s Most Bewitching Film Yet
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If there is a filmmaker whose work can be described as “elemental cinema,” that’s Lucile Hadžihalilović. It’s easy to chronicle her 2015 film Evolution as fluvial for its many water (and underwater) scenes, but also how its rhythmic flow steers...
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Berlinale Review: Sam Riley-Led Neo Noir Islands Plays It Too Safe
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Sam Riley stars as Tom, a washed-up tennis-pro-turned-coach at a luxury island hotel on the Canary Islands, in Islands, the English-language debut of A Coffee in Berlin director Jan-Ole Gerster. He is the protagonist, but we know little about a...
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Berilnale Review: Girls on Wire is a Polished Yet Disappointing Return for Vivian Qu
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With just two films to her name (in addition to co-producing the Golden Bear-winning Black Coal, Thin Ice), Vivian Qu has become one of China’s most prominent female filmmakers. Her long-awaited follow-up to the excellent Angels Wear White (which premiered...
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Berlinale Review: Girls on Wire is a Polished Yet Disappointing Return for Vivian Qu
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With just two films to her name (in addition to co-producing the Golden Bear-winning Black Coal, Thin Ice), Vivian Qu has become one of China’s most prominent female filmmakers. Her long-awaited follow-up to the excellent Angels Wear White (which premiered...
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