The Film Stage

Sundance Review: If I Had Legs I’d Kick You Sets Rose Byrne in a Tense Nightmare
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Many films, from the classic melodrama Mildred Pierce to last year’s playful dramedy Nightbitch, have tried to depict the unique struggles of motherhood with a focus on the special intimacy of child-rearing. Mothers have long borne the brunt and most...
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Sundance Review: Love, Brooklyn Traces a Tender Romance Through a Vague Borough
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You can feel the warm breeze filtering through Love, Brooklyn, a gentle, dream-like summer movie that often teeters on the edge of reality. Rachael Abigail Holder’s debut feature, written by Paul Zimmerman, doesn’t necessarily drift in and out of abstract fantasy,...
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Sundance Review: Predators Examines the Moral Complexities of a Hit Reality Show
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Filmmaker David Osit gives viewers a lot to wrestle with in Predators, his documentary about the reality show To Catch a Predator, which captured the zeitgeist of the early 2000s. In the show, host Chris Hansen confronted adult men who...
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New to Streaming: Sundance 2025, Sing Sing, Babygirl, Den of Thieves 2: Pantera & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. 2025 Sundance Film Festival While Sundance Film Festival kicked off last week in Park...
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Frank Ocean Has Begun Shooting His Directorial Debut
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If the four-year gap between Frank Ocean’s debut studio album Channel Orange and his follow-ups Endless and Blonde felt long, it’s now been over double the wait to see if another album will ever materialize from the wunderkind artist. We...
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Sundance Review: Eva Victor’s Debut Sorry, Baby is a Singular Revelation
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Agnes’ (Eva Victor) life is defined by a sense of stagnancy. Four years after completing grad school in rural New England, she’s living in the same house and going to the same building, only now as a professor. Whatever true...
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Sundance Review: Train Dreams Captures a Small Life on a Big Scale
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There is a moment in Train Dreams, directed by Clint Bentley, where a tree gracefully falls to the earth, surrounded by lush green. Particles explode from the impact, the sunlight illuminating these small, insignificant specs. As the frame holds for...
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Sundance Review: Ira Sachs’ Peter Hujar’s Day Blends Documentary with Performance to Consider the Artist’s Life
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When I look at Peter Hujar’s portrait of poet Allen Ginsburg, taken on December 18, 1974, it’s strikingly nonchalant. Ginsberg is standing on the sidewalk, one hand in pocket and the other looped through the straps of a bag draped...
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The B-Side – Queen Latifah (with KT)
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Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we talk about someone who is one of the most...
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Marcello Mio Review: Chiara Mastroianni Honors Her Father in Toothless Meta Satire
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The infamous cover of New York Magazine’s December 2022 issue declared that Hollywood is in the middle of a “Nepo Baby Boom,” but this is hardly restricted to the American film industry. Case in point is Christophe Honoré’s laugh-free inside-baseball...
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