“I Still Feel Like an Outcast”: Michael Almereyda on Nadja, Peter Fonda, David Lynch’s Fantômas, and Zero K
Could a director be best-known for what’s hardly been seen in 30-plus years? Notwithstanding the superb, modernized Hamlet—itself in less-than-prime circulation until a forthcoming Janus Films rerelease—Michael Almereyda is often directly associated with his pitch-black 1994 vampire comedy Nadja. While...
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