The Film Stage

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of Modern ArtAs the career-spanning Johnnie To retrospective continues, a Samuel L. Jackson series includes Pulp Fiction, Jackie Brown, and Jungle Fever on 35mm. BAMA Duras-Akerman double bill plays Sunday. Film...

Independent filmmaking duo Scott McGehee and David Siegel’s The Friend, their newest in a 30-year collaboration, is a dog movie. Or, more aptly, it’s a film about a dog and Iris (Naomi Watts), a woman who hates dogs. Iris inherits...

Beyond Joker: Folie à Deux (October 4) and Smile 2 (October 18), this month is light on studio power. The indies are surely champing at the bit to fill the gap with a slew of festival darlings getting their limited...

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Babes (Pamela Adlon) Transitioning the naturalistic comic sensibilities that made Better Things a success, Pamela Adlon’s...

Premiering at Sundance Film Festival earlier this year, It’s What’s Inside seemed to come a bit out of nowhere. Despite its prime positioning in the Midnight section during the first weekend of the fest, the high-concept thriller features no big...

When J. Hoberman placed game 6 of the 1986 World Series on his Village Voice year-end list, we had one of the first, most convincing attempts to enshrine live sports as cinema. And while a game can carry the compressed...

In what is almost surely the year’s biggest casting news, Daniel Day-Lewis has ended retirement for his own progeny. Focus Features have announced Anemone, which his son Ronan Day-Lewis, in a feature debut, is directing from a script that’s co-written...

Since last year it’s been known Clint Eastwood was at work on Juror #2, which initially came to light as a swan song––”one last project in order to be able to ride off into the sunset with [Eastwood’s] head held...

As we go deeper into the fall movie season, October often offers the cream of the cinematic crop. This year is no different: with this year’s top winners at Berlinale and Cannes, as well as the best film to debut...

Eraserhead is the big bang of David Lynch’s universe and simply unthinkable without “In Heaven.” But so is any canon of Lynch’s musical work––making all the more logical a cover orchestrated by Sean Henry for his new album HEAD, and...