The Film Stage

NYFF Review: Scarlet Finds Mamoru Hosoda Simplistically Adapting a Timeless Tale
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Across two decades of crafting animated features, director Mamoru Hosoda has made both intimate dramas like Wolf Children and high-concept films like the science-fiction spectacle Summer Wars. In 2019, his family fantasy Mirai was nominated for an Academy Award, becoming...
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New to Streaming: Mr. Scorsese, The Perfect Neighbor, and My Big Bold Beautiful Journey
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. My Big Bold Beautiful Journey (Kogonada) If there’s a thread running through Kogonada’s films...
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The Mastermind Review: Kelly Reichardt Crafts a Low-Key, Bressonian Heist Drama
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Note: This review was originally published as part of our 2025 Venice coverage. The Mastermind opens in theaters on October 17. For the second time in three years, Cannes’ competition ends with a film in which Josh O’Connor plays a...
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Frankenstein Review: Guillermo del Toro Crafts an Intricate World and Rhythmically Off-Kilter Adaptation
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Note: This review was originally published as part of our 2025 Venice coverage. Frankenstein opens in theaters on October 17 and arrives on Netflix on November 7. In the rather niche academic field of monster studies, the common understanding of...
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Blue Moon Review: A Melancholy Song for Ethan Hawke and Richard Linklater
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Note: This review was originally published as part of our 2025 Berlinale coverage. Blue Moon opens in theaters on October 17. There was Dewey Finn, Ned Schneebly, Willoughby, Mason Evans Sr.––now there’s Lorenz (or Larry) Hart. Richard Linklater likes a...
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Good Fortune Review: Aziz Ansari’s Directorial Debut is a Sweet, Timely Comedy
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Note: This review was originally published as part of our 2025 TIFF coverage. Good Fortune opens in theaters on October 17. To hear a story from Azrael (Stephen McKinley Henderson) is to know the full potential of an angel’s work....
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November on The Criterion Channel Brings Howard Hawks, Trent Reznor, Blackout Noir & More
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November, Noirvember, tomato, tomahto. The Criterion Channel continue their quest to find every known subgenre with “Blackout Noir,” which places Terence Fisher’s semi-eponymous 1954 picture alongside In a Lonely Place, The Blue Gardenia, and some lesser-knowns. Not included therein are...
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The Secret Agent Trailer: Wagner Moura is on the Run in Kleber Mendonça Filho’s Thriller
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Returning after Bacurau and Pictures of Ghosts, Kleber Mendonça Filho has garnered the most acclaim of his career thus far with The Secret Agent. Earning an ultra-rare two prizes at this year’s Cannes (Best Director and, for Wagner Moura, Best...
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Zodiac Killer Project Trailer: You Will Never Watch True Crime Docs the Same Way Again
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One of my favorite documentaries of the year explores the very form of non-fiction filmmaking in immensely entertaining fashion. Charlie Shackleton’s Zodiac Killer Project finds the director walking through his failed attempt to adapt Lyndon E. Lafferty’s book The Zodiac Killer...
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The Man Who Saves the World? Review: A Documentary That Asks: “Can You Believe This?”
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The most interesting thing about Gabe Polsky’s new documentary The Man Who Saves the World? is that it is unsure of its intentions. The film tells the story of Patrick McCollum, a spiritual leader living in Moraga, California. The twist...
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