The Film Stage

New to Streaming: The Secret Agent, Hamnet, Boys Go to Jupiter, The Plague & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Boys Go to Jupiter (Julian Glander) Boys Go to Jupiter, an animated feature directed...
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Pillion Director Harry Lighton on Portraying Realistic Sex and Rethinking Queer Narratives
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Harry Lighton’s Pillion was one of the highlights of last year’s Un Certain Regard at Cannes, garnering wide acclaim and a fair amount of titters for its frank sex scenes. Lighton’s feature debut, after the 2017 short Wren Boys, earned...
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Posterized February 2026: Wuthering Heights, Pillion, My Father’s Shadow & More
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The new year is in full swing with its January doldrums making way for another February chock full of Oscar-qualifying films receiving their limited and/or platform releases nationwide. Sure, there are some wide releases too like another Scream sequel (February...
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Rotterdam Review: With Tokyo Taxi, Yoji Yamada Cruises Down Well-Traveled Roads
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Forget misunderstood hacks and generational talents. There’s nothing quite like a consistent studio hand (with a solid 3- or 4-star batting average) who flies under the international radar for much of their career. Yoji Yamada was already approaching middle age...
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Tooth Shop Fiasco Exclusive Trailer: Sasquatch Sunset Producer David Harari Makes Directorial Debut
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A producer of the Zellner Brothers’ Sasquatch Sunset, David Harari has completed his directorial debut, the indie comedy Tooth Shop Fiasco, which will make its world premiere this Monday at the San Francisco Indie Festival. Starring Blaine Maye, Katie Folger,...
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Sundance Review: The Gallerist Is Too Referential to Properly Satirize the Art World 
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Taking on the art world is notoriously difficult—it’s already too ridiculous, and so the heightening of reality necessary for proper satire doesn’t work. There’s nowhere to go. But we need bold artists, ones that harness their inner Tobias Fünke and...
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Sundance Review: Take Me Home is a Heartbreaking Indictment of a Failing Social Safety Net
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Working with her sister Anna—a 38-year-old Korean adoptee with a developmental disability—director Liz Sargent’s sensitive drama Take Me Home is both witty and heartbreaking. It serves as an indictment of a system that would force a father to abandon his...
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Rotterdam Review: Tycoon is a Staggering Portrait of a City on Fire
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In a stray moment during Charlotte Zhang’s Tycoon, a young man says he stopped complaining to his landlord about the cockroaches invading his L.A. flat lest the whole building should be condemned—the same fate that’s felled countless others around the...
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NYC Weekend Watch: Nadja, Seoul After Dark, Tenement Stories & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. BAMMichael Almereyda’s vampire film Nadja debuts in a long-overdue 4K restoration that plays daily. Watch an exclusive clip below: Museum of Modern ArtSeoul After Dark highlights lesser-known Korean cinema, with...
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Sundance Review: Ha-chan, Shake Your Booty! Will Sweep You Off Your Feet
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In dance, you have to lead with confidence. Your partner looks to you for guidance, and they require you to look back at them responsively, to move instinctually without faltering. There’s need for surefootedness, consistency, and impeccable timing. Luckily for...
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