The Film Stage

The Criterion Channel’s September Lineup Includes Robert Altman, Olivier Assayas, Satoshi Kon, and Jodie Foster
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There is a distinct ’70s sheen to the Criterion Channel’s September lineup: a decades-spanning Robert Altman retrospective with everything from Nashville and The Long Goodbye to That Cold Day in the Park and The Company; a highlight of the decade’s...
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Paweł Pawlikowski Will Direct Sandra Hüller In Cold War Drama 1949
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Paweł Pawlikowski’s Joaquin Phoenix- and Rooney Mara-led The Island was, as cinematographer Łukasz Żal told us, “just two-and-a-half weeks before shooting” when the 2023 strikes shut down production. While it seems less and less likely we’ll ever see the film...
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Eden Review: Ron Howard’s Star-Studded Drama is an Ambitious Disappointment
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Note: This review was originally published as part of our 2024 TIFF coverage. Eden opens in theaters on August 22. On paper, there are few filmmakers who seem less-suited to the rigors of a project like Eden than Ron Howard....
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The Criterion Collection’s November Lineup Includes Eyes Wide Shut, Él, and Hell’s Angels on 4K
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Has it become a bit clichéd and too-smart-for-your-own-good to say Eyes Wide Shut is a Christmas movie? Of course. Is Eyes Wide Shut not only a Christmas movie, but one that weaves the holiday’s atmosphere, spirit, and symbolism into an...
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Locarno Review: Golden Leopard-Winning Two Seasons, Two Strangers Is Breathtakingly Gorgeous
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Writing about another great Locarno film a few days ago, I lamented the critical inclination to always bring up Éric Rohmer and Hong Sangsoo. Regardless, it would be wrong not to note the echoes of their work in Sho Miyake’s...
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Locarno Review: Radu Jude’s Dracula is an Unruly and Indulgent Satire
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Radu Jude is one of the great filmmakers of the decade. His latest, Dracula, is ostensibly a satire on Vlad The Impaler––the most famous Romanian of all, who appears throughout in all sort of guises––but its main target is AI...
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Locarno Review: The Plant from the Canaries is a Debut of Clarity, Wit, and Beauty
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Never underestimate the critical desire to cite Éric Rohmer––spend enough days at a film festival and you’ll start noticing illusions to the director’s work in your breakfast cereal. Still, I’m struggling to think of a recent film that’s done so...
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NYC Weekend Watch: Hong Kong Classics, Women In Action, Mixed Blood & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. IFC CenterFilms by John Woo, Tsui Hark, and Ringo Lam screen in Hong Kong Cinema Classics; The Lovers on the Bridge plays in a new restoration while In the Mood for Love and In...
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New to Streaming: Eddington, Dawson City: Frozen Time, The Legend of Ochi & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Dawson City: Frozen Time (Bill Morrison) There is a scholarly theory that proposes films...
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Exclusive Trailer for The Friends Restores Shinji Sōmai’s Boyhood Adventure
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Cinema Guild’s release of Shinji Sōmai restorations stands among the great projects in modern cinema. Shortly after debuting Love Hotel, they’ll be giving The Friends a theatrical run that begins at New York’s Film at Lincoln Center on August 22....
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