The Film Stage

Francis Ford Coppola on Having No Regrets with Megalopolis and the Films He’d Never Re-Edit
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After batting around the mind of Francis Ford Coppola for nearly half-a-century, Megalopolis was bestowed upon the world yesterday at the Cannes Film Festival. While reactions were expectedly divisive, and our review will be arriving shortly, we’ve now gleaned more...
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Pablo Larraín: Apichatpong Weerasethakul’s Films Make “Me Feel Less Lonely”
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Launched last year by Wes Anderson’s producing partners at Indian Paintbrush, GALERIE has emerged as a well-curated film club publishing unique selections of films from artists with their personal annotations. With past lists from the likes of James Gray, Ed...
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Cannes Review: In Bird, Andrea Arnold’s Experiment in Magical Realism Rarely Takes Off
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This year’s Cannes competition began with a film set in a working-class environment where a young woman with a single mother dreamed of escaping it all through dance. It was Agathe Riedinger’s Wild Diamond, but squint the eyes and forget...
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Watch Martin Scorsese’s Bleu de Chanel Ad Starring Timothée Chalamet
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Martin Scorsese’s latest directorial effort and first collaboration with Timothée Chalamet is upon us––it just happens to clock at 1/206th Killers of the Flower Moon‘s length and point us towards a product. But this Bleu de Chanel ad features nearly...
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Cannes Review: Josh Mond Returns With Vibey Down-and-Out Road Movie It Doesn’t Matter
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The best festivals point to the future, capture the zeitgeist, or honor the past. At Locarno in 2015, you could have had all three: Ryusuke Hamaguchi’s Happy Hour (his first time premiering in a major competition), Chantal Akerman’s No Home...
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New to Streaming: Challengers, Chime, Sasquatch Sunset, Power & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. American Fiction (Cord Jefferson) Thelonious “Monk” Ellison is in a rut. He’s still trying...
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Olivier Assayas Will Direct Paul Dano, Alicia Vikander, Jude Law, Zach Galifianakis & More in The Wizard of the Kremlin
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After his epic undertaking of rethinking Irma Vep for a new generation, Olivier Assayas premiered the small-scale Suspended Time at Berlinale earlier this year, but now the French director is back to working on a bigger canvas. He’s unveiled his...
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Cannes Review: Furiosa is No Fury Road, But George Miller Still Loves the Thrill of the Chase
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Almost nine years to the day since Mad Max: Fury Road premiered in Cannes, George Miller returns to the Croisette with Furiosa: A Mad Max Saga. It’s a deafening roar of a film, full of the same improbable vehicles and...
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MoviePass, MovieCrash Trailer: The Rise and Fall of a Cinephile’s Moviegoing Dream
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Remember the glory days of 2018 moviegoing? Those with MoviePass can now relive the rise and fall of the company that offered customers a subscription service to watch one movie a day for the price of just $9.95 a month...
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The B-Side – In Conversation with Eric Bana
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Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. And sometimes if we’re lucky we talk...
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