The Film Stage

New to Streaming: Caught by the Tides, Sorry, Baby, Harvest & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Blue Sun Palace (Constance Tsang) Shot largely on location in Queens, Blue Sun Palace...
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Exclusive Trailer for Bille August’s Zappa and Twist and Shout, Restored and Coming to Blu-ray
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One of the few filmmakers to earn a Palme d’Or twice over, Bille August started his career with a pair of period dramas that have been largely forgotten by contemporary audiences. Altered Innocence will amend the oversight with their release...
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63rd New York Film Festival Adds Films by Tsai Ming-liang, Radu Jude, Alexandre Koberidze & More
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Following their Main Slate announcement, the 63rd New York Film Festival has unveiled its Currents lineup, featuring 40 boundary-pushing films from around the world. Highlights include Tsai Ming-liang’s new feature Back Home; Radu Jude’s second feature of the festival, Dracula;...
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Criterion’s Resurrects Eclipse with 17-Film Abbas Kiarostami Blu-ray Set
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When the world of physical media often lacks hope, good news can land very hard. Case in point: the Criterion Collection have announced the return of their Eclipse series, which spent a little over 10 years doing as much (more?)...
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Rose Byrne is Adrift in First Trailer for If I Had Legs I’d Kick You
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Seventeen years after her directorial debut Yeast, which gave Greta Gerwig one of her very first roles, Mary Bronstein finally returns with her second feature, If I Had Legs I’d Kick You. The Sundance and Berlinale selection, which stars Rose...
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Exclusive Clip from Alexandre Koberidze’s Sony Ericsson-Shot Locarno Premiere Dry Leaf
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We can admire those who (brilliantly) craft entire feature films on iPhones, but the choice to shoot a three-hour feature with a Sony Ericsson––a device which ceased manufacturing in 2011––reaches an altogether different level of formal bravery. Alexandre Koberidze will...
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Boys Go to Jupiter Review: An Open-Source Nightmare-Scape of Late-Stage Capitalism
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Boys Go to Jupiter, an animated feature directed and written by Pittsburgh-based 3D artist Julian Glander, is truly a product of its time. And that time is now. As the press notes mention: “[The film] was self-produced and animated entirely...
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It’s Never Over, Jeff Buckley Review: A Lovely Document of a Beautiful, Tragic, Talented Life
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Amy Berg’s It’s Never Over, Jeff Buckley is an impressive archival document as well as a celebration of the life of a tortured artist. And while the term “tortured artist” is certainly overused, it feels especially apt when writing about Buckley. Here was a...
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Jay Kelly Trailer: Noah Baumbach Sets George Clooney and Adam Sandler on a European Adventure
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Reteaming with Netflix after his ambitious misstep White Noise, Noah Baumbach is getting introspective. Jay Kelly stars George Clooney and Adam Sandler as a movie star and his manager, respectively, as they reflect on life and their careers on a...
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Weapons Review: A Sprawling Horror Tale Lacking Emotional Resonance
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For as long as we’ve known about Weapons, writer-director Zach Cregger’s hotly anticipated follow-up to his 2022 blackly comic splatter sensation Barbarian, we have heard endlessly that it’s the supernatural horror genre’s epic equivalent to Magnolia––not exactly the most marketable...
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