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We kicked off the competition of twenty-two films with a debut feature, which is worth noting given the rarity of newbies in the competition section. It marks two consecutive years for a first feature from a female filmmaker, following Ramata-Toulaye...

Other People’s Money: Rosselli Finds Being Criminal is Relative In keeping with a growing tradition of contemporary Argentinian cinema’s unorthodox narrative structures, editor Hernán Rosselli adds to this offbeat wave with his sophomore narrative feature, Something Old, Something New, Something...

Casa de los Babys: von Horn Hits a Bleak Streak You know you’re in for something dark and dreary when a film opens upon a character in a world where despair has coagulated into grim apathy. Such is the case...

Grieving Rights: Runarsson Explores Interrupted Mourning For his fourth narrative feature, Iceland’s Rúnar Rúnarsson returns to themes of emotional disruption with When the Light Breaks. The film’s Icelandic title, Ljósbrot, roughly translates to ‘refraction of light,’ which is arguably a...

Woman Thou Art Loosed: Miller Wades into the Wasteland In all likelihood, George Miller presumably will be closing out his filmography the same way it began, fleshing out the iconic dystopian desert world he created back in 1979 with Mad...