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Coward | 2026 Cannes Film Festival Review
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Bent Knee, Limp Wrist: Dhont Explores Love at the Frontline “We have so much to say and we shall never say it,” is one of the many grim rationalizations in Erich Maria Remarque’s classic anti-war text All Quiet on the...
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2026 Cannes Critics’ Panel: Fatherland & Fjord Rated Top Films of Cannes!
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The Palme d’Or winner and the Best Director winners are 2026 Cannes Critics’ Panel top graded films according to our twenty international film critics. Cristian Mungiu won his second Palme d’Or for Fjord and Paweł Pawlikowski’s Fatherland reign supreme while...
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2026 Cannes Critics’ Panel: Day 10 – Léa Mysius’ ‘Histoires de la Nuit’
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Léa Mysius’s cinema as to this point focused on adolescence and sensory awakening, the body as transformation and instability but with her third feature she has moved into genre. She broke through with 2017’s Ava in the Critics’ Week and...
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Cristian Mungiu’s Fjord Wins Palme d’Or: See Full List of Cannes 2026 Winners
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As the 79th edition of Cannes comes to a close, president Park Chan-wook and his jury of Demi Moore, Ruth Negga, Laura Wandel, Chloé Zhao, Diego Céspedes, Isaach De Bankolé, Paul Laverty, and Stellan Skarsgård have unveiled the winners. Leading...
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The 2026 Cannes Film Festival Award Winners
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This year’s Cannes Film Festival was an interesting one, heading in as the absence of American films or big blockbusters had some skeptics about how the lineup would be perceived. Turns out, those people had nothing to worry about as...
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2026 Cannes Critics’ Panel: Day 10- Valeska Grisebach’s ‘The Dreamed Adventure’
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We has taken her time with her cinema first shoring up with Mein Stern (2001) which was a FIPRESCI Prize (Special Mention) winner at TIFF, then 2006’s Longing (a comp film at the Berlinale) with her 2017 third feature being...
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Cannes Review: Radu Jude’s Diary of a Chambermaid Is a Humurous, Slight Meta Take on Mirbeau
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Radu Jude has been rolling through features since his international breakout Aferim! in 2015, and his taste is nearly impossible to pin down. The films range from a three-hour documentary on the first massacre of Jews in Romania during WWII...
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Cannes Review: With Coward, Lukas Dhont Sets Queer Love Story In Trenches of WWI
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Cinema has taken viewers to the trenches of World War I so often that audiences might as well have formed sensory memories of a throat-clenching terror, the screams drowned by a sudden explosion and ears ringing. It’s all artificial, of...
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Cannes 2026 Video #9: Critics Roundtable
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Managing Editor Brian Tallerico and our correspondents talk about the highs and lows of this year's fest.
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Cannes Review: La Bola Negra Feels Like an Epic, Long-Lost Novel
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When it comes to storytelling, if the 19th and 20th centuries were defined by grandiose literature, the 21st century is all about cinema. We read less and watch more; consequently, films have become a substitute for sweeping stories that weave...
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