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‘We Live in Time’ Review: Andrew Garfield and Florence Pugh Anchor Time Jump-Happy Weepie
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John Crowley's film never builds to a cohesive, or emotionally satisfying, whole. The post ‘We Live in Time’ Review: Andrew Garfield and Florence Pugh Anchor Time Jump-Happy Weepie appeared first on Slant Magazine.
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BFI London Review: All of You Offers a Grown-Up Sci-Fi Romance
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Many films have dared to ask if a man and a woman can ever just be friends, but very few have managed to answer in the affirmative. For most of its first half, All of You appeared destined to wind...
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The Apprentice | Review
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The Devil and Donald Trump: Abbasi Reconstructs the Rise of a Crony Capitalist Among the many wise observations written by nineteenth century Englishman Lord Acton, he noted “Great men are almost always bad men…” But what if they were just...
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U.S. Trailer for Payal Kapadia’s Dazzling Cannes Winner All We Imagine as Light
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One of the most acclaimed films of the year, Payal Kapadia’s dazzling Cannes Film Festival Grand Prize winner All We Imagine as Light is now finally rolling out stateside. After stops at Telluride, TIFF, and NYFF, Sideshow and Janus Films...
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ALL WE IMAGINE AS LIGHT U.S. Trailer: Payal Kapadia’s Cannes-Winning Drama Celebrates Friendship & Sisterhood
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One movie that has captured the hearts of critics and audiences on the festival circuit this year is writer-director Payal Kapadia’s All We Imagine As Light. The drama, which won the Grand Prix at Cannes, follows a close community of...
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BFI London Review: Blitz Is an Unabashedly Hopeful, Mainstream Work from Steve McQueen
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Steve McQueen has long been upfront about his desire to make a musical; before Widows underwhelmed at the box office, it appeared likely that a passion project within that genre would be his next film. With each subsequent effort, it...
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New York 2024 Review: LITTLE, BIG, AND FAR Conjures Up Celestial Music
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Jem Cohen makes a gentle inquiry to human connections while presenting it within the bigger picture; in this case, the universe. [Read the whole post on screenanarchy.com...]
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Shoplifters Unite: Boots Riley Pickpockets Keke Palmer, Naomi Ackie, LaKeith Stanfield & Demi Moore for ‘I Love Boosters’
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Musician turned filmmaker Boots Riley is set to begin production on that always critical sophomore feature with a quartet of players that include muse LaKeith Stanfield (toplined Riley’s debut Sorry to Bother You), Keke Palmer, Naomi Ackie, and the Demi...
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‘I’m Still Here’ Review: Walter Salles’s Personal Chronicle of a Political Disappearance
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I’m Still Here’s affection for its subjects, though tender, is largely hagiographic. The post ‘I’m Still Here’ Review: Walter Salles’s Personal Chronicle of a Political Disappearance appeared first on Slant Magazine.
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Prix Iris 2024: Humanist Vampire Seeking Consenting Suicidal Person Leads “Quebec Oscars” Noms
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Ariane Louis-Seize‘s Humanist Vampire Seeking Consenting Suicidal Person (winner of the Director’s Award at Giornate degli Autori section in Venice Film Festival last year) leads all nominations at the Prix Iris (aka Quebec Oscars) with a total of twenty-two including...
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