Amir has a dark secret that he’s keeping from everyone close to him. He wants to get rid of one of his legs. The left one specifically. Amir has body dysmorphic disorder, a disorder that leaves him convinced that one...
The huge party at the film’s center is among the great parties of recent American cinema. The post ‘Christmas Eve in Miller’s Point’ Review: An Ecstatically Maximalist Celebration of Ritual appeared first on Slant Magazine.
After screening his latest film Caught by the Tides at the Busan International Film Festival, director Jia Zhang-ke met with the press, accompanied by his wife Zhao Tao. A frequent visitor to the BIFF, Jia started by saying he is...
Seven years ago, Dutch filmmaker Thijs Meuwese co-directed the science fiction film Molly a film overflowing with ingenuity, a no-budget post-apocalyptic superhero epic. You can read my review here... That film had an incredibly impressive finale, and it marked its...
Four years after her layered character study A Leave, director Lee Ran-hee returns to the Busan International Film Festival with her sophomore film The Final Semester, a film that also examines the professional struggles of the trade-bound working class. While...
Following his intriguing debut The Girl on a Bulldozer, which screened at the Busan International Film Festival in 2021, directed Park Ki-woong returns to the festival with the New Currents competition title The Land of Morning Calm. Set far away...
The film finds Marianne Jean-Baptiste channeling an anger that feels excruciatingly real. The post ‘Hard Truths’ Review: Mike Leigh’s Compassionate Portrait of a Woman on the Brink appeared first on Slant Magazine.