admin

Around the Horn: Claire Denis to Direct Matt Dillon, Riley Keough & Isaach de Bankolé in ‘Le Cri des Gardes’
||
ARTE France Cinéma is backing a quartet of projects and among them, we find the new Claire Denis project that she was possibly scouting two years back. Set to star Matt Dillon, Riley Keough and her muse Isaach de Bankolé,...
continue reading
‘Daaaaaalí!’ Review: Quentin Dupieux’s Funny, Unpredictable Ode to the Spanish Surrealist
||
The film is a strange case of the homage that outstrips what it’s meant to be imitating. The post ‘Daaaaaalí!’ Review: Quentin Dupieux’s Funny, Unpredictable Ode to the Spanish Surrealist appeared first on Slant Magazine.
continue reading
Claire Denis and Arnaud Desplechin’s Next Features Secure Financing
||
We can start our week extending thanks to Arte France Cinéma, who’ve given two of France’s greatest directors the cash flow to support immediate endeavors: per Cineuropa, Claire Denis and Arnaud Desplechin can soon begin production on new features. The...
continue reading
OFF-VIFF! An Underground Alternative to VIFF Emerges Oct 7th at The Rio
||
Here is something against the norm for all you cinephiles in Vancouver. After the Vancouver International Film Festival closes its doors for another year locals can head over to the Rio Theatre for a healthy dose of counter-programming. The night...
continue reading
‘Plastic’ Review: What’s My Age Again?
||
Daisuke Miyazaki’s tale of young love is a little too country to be rock ‘n’ roll. The post ‘Plastic’ Review: What’s My Age Again? appeared first on Slant Magazine.
continue reading
“The Last Days of the Space Age” is a Mess of a Missed Opportunity
||
A review of the new Hulu original series about the '70s space race in Australia.
continue reading
‘April’ Review: A Matter of Life and Death
||
Dea Kulumbegashvili’s film seeks to embody a dizzying span of human experience. The post ‘April’ Review: A Matter of Life and Death appeared first on Slant Magazine.
continue reading
‘It’s What’s Inside’ Review: A Maximalist Black Comedy About Our Obsessions with Identity
||
It quickly becomes clear that Greg Jardin’s isn’t just here to dazzle us with visual trickery. The post ‘It’s What’s Inside’ Review: A Maximalist Black Comedy About Our Obsessions with Identity appeared first on Slant Magazine.
continue reading
‘Things Will Be Different’ Review: Sibling Bonds Are Tested in Fleet-Footed Time-Travel Thriller
||
The particulars of time travel in the film give the whole thing a tactile quality. The post ‘Things Will Be Different’ Review: Sibling Bonds Are Tested in Fleet-Footed Time-Travel Thriller appeared first on Slant Magazine.
continue reading
‘Nickel Boys’ Review: RaMell Ross’s Intensely Subjective Colson Whitehead Adaptation
||
Ross’s remarkable film fashions mesmerizing, affecting poetry out of Whitehead’s prose. The post ‘Nickel Boys’ Review: RaMell Ross’s Intensely Subjective Colson Whitehead Adaptation appeared first on Slant Magazine.
continue reading