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‘Harvest’ Review: Athina Rachel Tsangari’s Moody, and Mopish, Medieval Period Piece
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The film is a handsomely mounted production in which much of the filth feels stage-managed. The post ‘Harvest’ Review: Athina Rachel Tsangari’s Moody, and Mopish, Medieval Period Piece appeared first on Slant Magazine.
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The Substance Director Coralie Fargeat on Playing By Her Own Rules and the Strong Weapon of Humor
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Coralie Fargeat’s Revenge (2017) thrilled audiences with its never-ending finale chase sequence through hallways lubricated in Shining-level quantities of blood. The French filmmaker’s follow-up, The Substance, amps up the gore, adding a strong dose of Cronenbergian body horror. Elisabeth Sparkle...
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Sound And Vision: Just Jaeckin
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In the article series Sound and Vision we take a look at music videos from notable directors. This week: Elton John's Who Wears These Shoes, directed by Just Jaeckin. In 1988 Sir Elton John came out of the closet as...
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‘Stranger Eyes’ Review: In the Virtual (and Actual) Footsteps of a Missing Child
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The film is about the fraught ambiguities of seeing through a one-way mirror. The post ‘Stranger Eyes’ Review: In the Virtual (and Actual) Footsteps of a Missing Child appeared first on Slant Magazine.
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THUNDERBOLTS* Teaser Trailer: Marvel’s Attempt at The Rag-Tag Action Ensemble
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Today the teaser trailer for Marvel Studios released the trailer for Thunderbolts*, their go at the rag-tag band of misfits action adventure film to which they once held the crown for with the GotG films before that trilogy's director left...
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A Communication With Light: Azazel Jacobs on “His Three Daughters”
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An interview with the writer-director of Netflix's latest familial drama.
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The State of the 2024 Oscar Race
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A breakdown of where we are in the 2024 awards race - one that, as of now, has few clear frontrunners.
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TEACUP Official Trailer: Horror Thriller Series Streaming Soon on Peacock, Starring Yvonne Strahovski And Scott Speedman
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Trapped on a farm in rural Georgia, a group of neighbors must put aside their differences and unite in the face of a mysterious and deadly threat. [Read the whole post on screenanarchy.com...]
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Fantastic Fest 2024: U Are the Universe, Planet B, The Rule of Jenny Pen
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On three films from the great Austin genre fest from the Ukraine, France, and Australia.
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Venice 2024 Review: QUIET LIFE Subverts Expectations with Tense, Stylistically Fluid Exploration
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lexandros Avranas presents a visually stark and ambiguous exploration of bureaucratic indifference and familial trauma, blending elements of thriller, satire, and political drama while challenging conventional narrative forms and styles. [Read the whole post on screenanarchy.com...]
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