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In Ira Sachs’ last film, Peter Hujar’s Day, the director used a rigorous framing device––a purposefully banal interview that took place in 1974 between the eponymous New York photographer and the writer Linda Rosenkrantz––as a way of opening a window...

After a surprise tease at the Super Bowl, we’ve been waiting to hear when Netflix would share more about David Fincher’s The Adventures of Cliff Booth, the Quentin Tarantino-scripted continuation of Once Upon a Time… in Hollywood, centered on Brad...

László Nemes began his career on a mountaintop that he’s struggled to scale ever since. Son of Saul was the rare first film that not only premiered in competition at Cannes but took home the Grand Prix (the first ever...

Clio Barnard returns to Directors’ Fortnight after The Selfish Giant and Ali & Ava with an adaptation of Keiran Goddard’s novel I See Buildings Fall Like Lightning. The director, whose Yorkshire upbringing is a site of belonging, has set her work...