If a James Bond or Mission: Impossible film excised all its action scenes––save a stray explosion or gunshot––while employing a script with a pop John le Carré sensibility, it might resemble something like Steven Soderbergh’s Black Bag. A hyper-slick, suave...
“The Righteous Gemstones” is funny, wry, clever, disgusting, moving, shocking, and endearing in ways that are purely aspirational for most comedies on TV, and I’m sorry to say goodbye to it.
Our own Pierce Conran wrote an in-depth review of Bong Joon Ho's latest film, Mickey 17, starring Robert Pattison, upon its premiere at Berlinale 2025 last month. He wrote in part: "With his latest film, Bong Joon Ho reaches for...
Initially considered the heir to Robert Bresson, Bruno Dumont shocked audiences in 2014 with the heel-turn of his Twin Peaks-inspired miniseries P’tit Quinquin, which (were it not television) would certainly earn the label of An Extremely Goofy Movie. His switch...
(We here at Hammer to Nail are all about true independent cinema. But we also have to tip our hat to the great films of yesteryear that continue to inspire filmmakers and cinephiles alike. This week, “The Curbside Criterion” continues...
New Directors/New Films is coming back for its 54th edition. Since 1972, it has showcased work from the likes of Ryûsuke Hamaguchi, Hou Hsiao-hsien, Kelly Reichardt, Pedro Almodóvar, Souleymane Cissé, Jia Zhangke, Spike Lee, Lynne Ramsay, Michael Haneke, Wong Kar-wai,...