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For over a decade, RogerEbert.com has been turning over its entire content stream to female writers, and 2024 is our most ambitious year to date. Below, find links to all of our reviews and articles, over three dozen in total:...

Set in rural New Mexico in the late-1980s, "Love Lies Bleeding," from acclaimed writer-director Rose Glass, explores themes of obsession and addiction through the love story of a reclusive gym manager Lou (Kristen Stewart), with a bloody past, who falls...

During an ordinary winter film season, Zelda Williams and Diablo Cody’s “Lisa Frankenstein”—a candy-colored paean to teen outsiders, undying love, and murderous self-discovery—would be notable simply for its sheer weirdness (and its outstanding usage of a magical tanning bed). But...

“I’m not a singer; I’m a dancer!” Bella Lewitzky defiantly refused to answer the House Un-American Activities Committee when they asked if she was a communist. As a result, she was blacklisted, and could no longer appear in the movies...

In 1983, Phillip Brophy coined the term “body horror” in his article “The Textuality of the Contemporary Horror Film” in order to address what he saw as a “golden period” of contemporary horror films that distinguished itself from previous eras....

Considered a rising star for years, Lily Gladstone is finally getting the recognition she deserves for her work in Martin Scorsese’s crime epic “Killers of the Flower Moon.” Raised on the Blackfeet Reservation in Montana, the 37-year-old actress was heavily...

As a teenager, how often did you want to be someone else? Do you still wish for it now? As a closeted, queer teenager, the need to be anywhere other than where I was and to be anyone but me ...

It’s natural to believe 2023 was indeed the “Year of Women in Cinema,” especially with the release and hype surrounding “Barbie.” Some pundits proclaimed that Greta Gerwig and Margot Robbie’s blockbuster paved the way for a big year for women...