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Thierry Frémaux sure does like mister Kirill Serebrennikov. Since showcasing The Student in 2016’s Un Certain Regard section, the Russian filmmaker (in exile) has been a fixture in the competition section (there was even the rumor he might showcase his...

Straightened Story: Lojkine’s Details Delivery App Woes to Application Process Lows Standing on fertile creative ground, Boris Lojkine once again explores the narratives of individuals far removed from their comfort zones, miles away from the familiar landscapes. Following 2014’s Hope...

His has a longstanding tradition with the Cannes Film Festival this former Palme d’Or winner for Dheepan (2015) moved into a completely different language, backdrop setting and new genre with the musical for a project that was born during the...

Risky Business: Audiard Surprises with Vibrant Genre Musical Although it’s assembled from unlikely, even questionable sources, Jacques Audiard’s latest feature, Emilia Pérez, a genre and gender blending Mexico City set musical, is surprisingly skilled. Though destined for naysayers who will...

The Tide is High: Zhangke Splices Thwarted Romance Across Changing Times Filmmaker Jia Zhangke presents something of an experimental anomaly with his latest feature, Caught by the Tides (Feng Liu Yi Dai), spanning two decades of shifting cultural climates and...