admin

Francis Ford Coppola on Having No Regrets with Megalopolis and the Films He’d Never Re-Edit
by admin|2 years ago|The Film Stage
After batting around the mind of Francis Ford Coppola for nearly half-a-century, Megalopolis was bestowed upon the world yesterday at the Cannes Film Festival. While reactions were expectedly divisive, and our review will be arriving shortly, we’ve now gleaned more...
continue reading
Cannes 2024 Review: HOLY COW, French Cheese-Making Dramedy Is a Finely Crafted Debut Feature
by admin|2 years ago|Screen Anarchy
Louise Courvoisier directed. A brash young man is humbled by provincial life. [Read the whole post on screenanarchy.com...]
continue reading
Vingt Dieux (Holy Cow) | 2024 Cannes Film Festival Review
by admin|2 years ago|Ioncinema
Smells Like Entrepreneurial Spirit!: Courvoisier Climbs Up the Totone Poll In her directorial debut, Louise Courvoisier delves into themes of altruism and resilience, navigating a narrative that straddles the line between a troubled past and an uncertain future. It’s got...
continue reading
Pablo Larraín: Apichatpong Weerasethakul’s Films Make “Me Feel Less Lonely”
by admin|2 years ago|The Film Stage
Launched last year by Wes Anderson’s producing partners at Indian Paintbrush, GALERIE has emerged as a well-curated film club publishing unique selections of films from artists with their personal annotations. With past lists from the likes of James Gray, Ed...
continue reading
BACKSPOT
by admin|2 years ago|Hammer to Nail
(Check our Chris Reed’s movie review of Backspot, in theaters now. Seen it? Join the conversation with HtN on our Letterboxd Page.) In Backspot, the feature debut of Canadian director D.W. Waterson, the competition may be fierce, but at the end...
continue reading
Cannes Review: In Bird, Andrea Arnold’s Experiment in Magical Realism Rarely Takes Off
by admin|2 years ago|The Film Stage
This year’s Cannes competition began with a film set in a working-class environment where a young woman with a single mother dreamed of escaping it all through dance. It was Agathe Riedinger’s Wild Diamond, but squint the eyes and forget...
continue reading
Watch Martin Scorsese’s Bleu de Chanel Ad Starring Timothée Chalamet
by admin|2 years ago|The Film Stage
Martin Scorsese’s latest directorial effort and first collaboration with Timothée Chalamet is upon us––it just happens to clock at 1/206th Killers of the Flower Moon‘s length and point us towards a product. But this Bleu de Chanel ad features nearly...
continue reading
BACK TO BLACK Review: Amy Winehouse Gets the Conventional Biopic Treatment
by admin|2 years ago|Screen Anarchy
Marisa Abela stars in the music-themed drama, directed by Sam Taylor-Johnson. [Read the whole post on screenanarchy.com...]
continue reading
Cannes Review: Josh Mond Returns With Vibey Down-and-Out Road Movie It Doesn’t Matter
by admin|2 years ago|The Film Stage
The best festivals point to the future, capture the zeitgeist, or honor the past. At Locarno in 2015, you could have had all three: Ryusuke Hamaguchi’s Happy Hour (his first time premiering in a major competition), Chantal Akerman’s No Home...
continue reading
Bird | 2024 Cannes Film Festival Review
by admin|2 years ago|Ioncinema
Dole Days: Arnold Flutters About with Strange Bedfellows There’s certainly a definable emotional core in Andrea Arnold’s fifth narrative feature, Bird, but the ideas and themes tying it all together are about as wispy and freewheeling as scattered feathers drifting...
continue reading