It’s the most exciting time of the year for any cinephile: the Cannes Film Festival is set to kick off next week, running May 12th-23rd. Ahead of the festivities, we’ve rounded up what we’re most looking forward to, and while...
With the end of this year's edition of Fantaspoa comes news of the award winners and attendance numbers. Throughout nineteen days the festival hosted 24 world premieres, continuing its dominance in Latin America as one of the best places...
In a ScreenAnarchy exclusive, we introduce you to Fantastic Pavilion Vertical Cinema -- Cannes 2026, an intoduction to the filmmakers contributing to vertical cinema's rise in the genre sphere. [Read the whole post on screenanarchy.com...]
Iranian filmmaker Shahram Mokri has transformed the Möbius strip into a cinematic form of its own, extending beyond the familiar framework of time loop narratives. Following his 2020 feature Careless Crime, Mokri returns with another intricately constructed film, Black Rabbit,...
Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about one of the most successful performers of...
With her sophomore feature High End (formerly known by the far alluring title Diamond Shitter) currently in post-production, Antonia Campbell-Hughes is already preparing to climb back into the saddle with a third feature project—one she already knows intimately. Based on...
The film doesn’t totally succeed in capturing the show’s scope or thematic through line. The post ‘Billie Eilish: Hit Me Hard and Soft – The Tour’ Review: Live in (Depthless) 3D appeared first on Slant Magazine.
The film doesn’t totally succeed in capturing the show’s scope or thematic through line. The post ‘Billie Eilish: Hit Me Hard and Soft – The Tour’ Review: A Bad Girl Live in (Depthless) 3D appeared first on Slant Magazine.