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Berlinale 2025 Adds Films by Bong Joon Ho, Ira Sachs, Lemohang Jeremiah Mosese & More
by admin|4 months ago|The Film Stage
Ahead of the Berlinale 2025 taking place February 13-23, they’ve unveiled their lineups for Berlinale Special, Panorama, Generation and Forum sections. Highlights include confirmation of Bong Joon Ho’s Mickey 17 alongside Ira Sachs’ Peter Hujar’s Day, Ancestral Visions of the...
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2025 Oscar Nomination Predictions
by admin|4 months ago|Slant Magazine
The arrival of Oscar prognostication season is both a blessing and a curse. The post 2025 Oscar Nomination Predictions appeared first on Slant Magazine.
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Eli Friedberg’s Top 10 First-Viewings of 2024
by admin|4 months ago|The Film Stage
Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. By way of introduction, I think I said most of the important things last year, so I’ll...
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“The Hangover,” “Rumours” Announced For Ebertfest 2025
by admin|4 months ago|Roger Ebert
Two comedies have been announced for this April's Eberfest.
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THE CURBSIDE CRITERION: NO COUNTRY FOR OLD MEN
by admin|4 months ago|Hammer to Nail
(Here at Hammer to Nail, we are all about true independent cinema. But we also have to tip our hat to the great films that continue to inspire filmmakers and cinephiles alike. This week, Brad Cook takes a chance with...
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Sexual Misorientation: Hamaguchi Prepping Paris-Shoot ‘Our Apprenticeship’
by admin|4 months ago|Ioncinema
Back in May we had learned that Ryusuke Hamaguchi was revisiting with a feature film project that would bring us to Paris and it looks like we can now pencil this in as his next feature. titled Our Apprenticeship, with...
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The Criterion Collection’s April Lineup Includes Anora, Chungking Express, and Ugetsu on 4K
by admin|4 months ago|The Film Stage
Criterion’s starting 2025 with 4K on the mind: today brings news that April will bring Sean Baker’s Anora and a Blu-ray of Prince of Broadway alongside 4K releases for Julian Schnabel’s Basquiat (both the theatrical edition and black-and-white director’s cut),...
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WOLF MAN Review: Leigh Whannell’s Backwoods Howler Doesn’t Quite Hit The Mark
by admin|4 months ago|Screen Anarchy
A man struggling in a strained marriage strikes out into the woods with his wife and daughter on a mission to reclaim a family farm and perhaps repair his relationship, but instead finds himself tangling with a vicious, primordial –...
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‘Wolf Man’ Review: Leigh Whannell’s Reboot Tears a Somber Path Through Werewolf Lore
by admin|4 months ago|Slant Magazine
Whannell’s film doesn’t convincingly reinvent the fundamentals of werewolf folklore. The post ‘Wolf Man’ Review: Leigh Whannell’s Reboot Tears a Somber Path Through Werewolf Lore appeared first on Slant Magazine.
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Wolf Man Review: Leigh Whannell’s Effective Reboot Scares Up Hereditary Horrors
by admin|4 months ago|The Film Stage
“In early 1995, a hiker went missing in the remote mountains of central Oregon,” reads the prologue over a gorgeous opening shot: a still, wide frame looking down at a farm surrounded by dense forest and looming mountains, dark clouds...
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