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‘Grand Theft Hamlet’ Review: The Slings and Arrows of Outrageous Fortune
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Art thrives under fire in this documentary about a Hamlet production unlike any other. The post ‘Grand Theft Hamlet’ Review: The Slings and Arrows of Outrageous Fortune appeared first on Slant Magazine.
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SANTOSH
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(Check out Hannah Tran’s Santosh movie review, in theaters now. Seen it? Join the conversation with HtN on our Letterboxd Page.) “There are two types of untouchables in this world,” begins the imperative line of director Sandhya Suri’s Santosh, “one who nobody wants...
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Now Streaming: GET AWAY, AMERICAN PRIMEVAL, ON CALL, THE PITT
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Plus: 'Goosebumps: The Vanishing,' as the streaming season resumes. [Read the whole post on screenanarchy.com...]
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THE LAST SHOWGIRL Review: When the Dazzle Starts to Fade
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Las Vegas might be something of an artificial city, but the people who the living and working (and dying) in it, day to day, are not. Like other big cities, there are people there with dreams, which more often than...
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Friday One Sheet: A WORKING MAN
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Is there a more succinct description of Jason Statham's career than the title of David Ayer's latest collaboration with him?  The graphic designer of the poster seems to think that there is not, given how prominently it features here.  The...
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2025 Cinema Eye Honors: No Other Land Takes Best Feature, Mati Diop Wins Best Direction
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Last year’s top two documentary titles from the Berlinale continue there winning ways landing the top prizes at last night’s Cinema Eye Honors. Docus that premiered at Sundance dominated the other major categories, with Soundtrack to a Coup d’État, Union,...
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Mike Leigh on Hard Truths, Losing Dick Pope, and the Duty of an Artist
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The British cinema––indeed an entire strand of understanding around modern drama––does not exist without Mike Leigh. When it was learned some years ago that Leigh was struggling to obtain financing for a new film, the outrage among cineastes was commensurate...
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EAT THE NIGHT Review: Virtual Reality Meets Gritty Crime Film
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Near the end of Caroline Poggi and Jonathan Vinel’s (Jessica Forever) initially promising, ultimately disappointing feature-length film, Eat the Night, a virtual screen within a screen — an MMORPG (massive multiplayer role-playing game) — hundreds, if not thousands, of digital...
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Dream of Death: Robert Eggers on “Nosferatu”
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An interview with the writer-director of Nosferatu about immersion, influence, and intimation.
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Every Little Thing Review: A Sensitive Portrait of a Great Woman’s Dedication to Hummingbirds
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Sometimes, you must admit you’re a bit of a softie. I came to this realization while tearing up at the end of the new documentary Every Little Thing. In form, it’s largely unremarkable. Yet something connected with me about this...
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