“It Was Worth the Hassle”: The Brutalist Editor Dávid Jancsó on Deliberate Pacing, Multiple Formats, and Crying at Venice
With a sprawling 215 minutes and VistaVision footage, not to mention a variety of other formats––including 8mm, 16mm, Super 16mm, 35mm (two-perf, three–perf, four-perf, and eight-perf), Betacam, even an Arri Alexa shot––constructing Brady Corbet’s The Brutalist took editor Dávid Jancsó...
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