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The Unloved, Part 133: Here
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An ode to Robert Zemeckis' latest masterwork, written off mere months after its release earlier this year.
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Female Filmmakers in Focus: Maura Delpero on “Vermiglio”
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Maura Delpero on her award-winning film.
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From Ground Zero Review: Palestine’s Oscar Entry Is a Sobering Anthology Capturing Life During Wartime
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From Ground Zero is a film that, in an ideal world, would not exist, and cannot be written about as if it were a normal production. This anthology of 22 shorts is Palestine’s submission for the Best International Film Oscar...
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Daniel Eagan’s Top 10 Films of 2024
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Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. Among the many problems with movie lists is the lack of a common starting point....
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A Conversation with Josh Fox (THE EDGE OF NATURE)
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While Josh Fox might be best known for his documentaries – from 2010’s Oscar-nominated surprise hit Gasland right through to 2017’s Awake, A Dream From Standing Rock (made in collaboration with Doug Good Feather and Myron Dewey, who also served as EP on this...
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December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
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The latest on streaming and Blu-ray, including box sets, new releases, and anniversary editions for Interstellar & Pulp Fiction.
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Interview: Producer Tristan Scott-Behrends – Bunnylovr (Work in Progress)
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In what seems to be an exploration of duality, Katarina Zhu steps both in front of and behind the camera to craft a portrait of connections and examines the wafer-thin boundary between online identity and real-life presence. Multi-hyphenated artist, actor,...
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Now Streaming: HORROR’S GREATEST on Shudder, Season 2 Smashes Our Nostalgia Button
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The second season of Shudder’s survey series, Horror’s Greatest, starts streaming today, a continuation of the series that debuted at the end of Summer on the platform. Once again we head back into the fray, surveying subgenres and themes that...
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Santosh Review: U.K.’s Oscar Entry is a Taut Exploration of Gender Politics and Police Corruption
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After the riot-induced death of her policeman husband in the badlands of North India, 30-something widow Santosh Saini (Shahana Goswami) is told she has nothing. Her house, provided by the State, belongs to the State and will be reclaimed, along...
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C.J. Prince’s Top 10 Films of 2024
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Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. I’ll be blunt: it wasn’t a good year for films, or at least for me...
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