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Hours before I place my trust in a rush-hour F train departing from Herald Square just 19 days before Christmas, I am speaking with scholar and filmmaker Jerry Carlson about David Bordwell and Orson Welles’ Filming Othello. Nominally a chronicle...

As Martin Scorsese once said, “Music and cinema fit together naturally. Because there’s a kind of intrinsic musicality to the way moving images work when they’re put together. It’s been said that cinema and music are very close as art forms,...

As evidenced in our best cinematography round-up, one of the year’s most beautiful movies is Maura Delpero’s Vermiglio, shot by Leviathan and The End cinematographer Mikhail Krichman. The Venice Silver Lion winner, selected by Italy as their Oscar entry, will now arrive...

Rounding up the best unproduced screenplays in Hollywood, as voted on by hundreds of film executives, The Black List has been a strong resource to clue one in on projects to potentially anticipate, but first, to kickstart Hollywood on bringing...