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‘Intercepted’ Review: Oksana Karpovych’s Chilly Document of War, Indifference, and More

by admin|7 months ago01 October 2024|Slant Magazine

The film’s images and words are an imprint of tremendous state violence. The post ‘Intercepted’ Review: Oksana Karpovych’s Chilly Document of War, Indifference, and More appeared first on Slant Magazine.

Nicholas Hoult Faces Justice In Trailer for Clint Eastwood’s Juror #2

by admin|7 months ago01 October 2024|The Film Stage

Since last year it’s been known Clint Eastwood was at work on Juror #2, which initially came to light as a swan song––”one last project in order to be able to ride off into the sunset with [Eastwood’s] head held...

New York 2024 Review: SCENARIOS, Adieu Cinema, Adieu Godard

by admin|7 months ago01 October 2024|Screen Anarchy

End of Godard, End of Cinema [Read the whole post on screenanarchy.com...]

11 Films to See in October

by admin|7 months ago01 October 2024|The Film Stage

As we go deeper into the fall movie season, October often offers the cream of the cinematic crop. This year is no different: with this year’s top winners at Berlinale and Cannes, as well as the best film to debut...

New York 2024 Review: DAHOMEY, On Putting Souls Back

by admin|7 months ago01 October 2024|Screen Anarchy

Mati Diop documents the repatriation of stolen African treasures from France. [Read the whole post on screenanarchy.com...]

Exclusive Premiere of Sean Henry’s “In Heaven” Video Reworks a Classic David Lynch Tune

by admin|7 months ago01 October 2024|The Film Stage

Eraserhead is the big bang of David Lynch’s universe and simply unthinkable without “In Heaven.” But so is any canon of Lynch’s musical work––making all the more logical a cover orchestrated by Sean Henry for his new album HEAD, and...

LOVE IN THE BIG CITY Review: BFFs Kim Go-eun and Noh Sang-hyun Shine in Big Screen Marvel

by admin|7 months ago01 October 2024|Screen Anarchy

Sometimes a film comes along and blindsides when you least expect it. The sublime surprise Love in the Big City is just such a film, enriching the landscape of Korean cinema in a year that has quietly seen low-key films...