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Hey Canada! Watch NFB’s GOOD LUCK TO YOU ALL Right Now!
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The Canadian National Film Board (NFB) just released Cordell Barker’s darkly whimsical animated 2025 short film on the Artificial Intelligence debate for free on its streaming platform. Good Luck To You All plays like an inversion of Pixar's Wall-E mixed with The...
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Cannes Review: Victorian Psycho Is Gothic Horror with Confidence and Verve
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In 1858, pre-Freud times, a castle in the Yorkshire moors of Northern England by the name of Ensor House becomes the new dwelling place for young governess Winifred Notty (Maika Monroe, on a horror streak from Longlegs). What awaits her...
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“VICTORIAN PSYCHO”
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THE STORY – In the Year of our Lord 1858, an unusual governess named Winifred Notty arrives at the gothic manor known as Ensor House. Winifred’s responsibilities include teaching the children table manners and educating them about their family history –...
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“PASSENGER”
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THE STORY – A few weeks into their van life adventure, a young couple witnesses a horrific accident that leaves the driver dead. Soon they’re being pursued by a demonic stalker who’s impossible to outrun and follows them wherever they go....
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The Man I Love | 2026 Cannes Film Festival Review
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It is Seldom That a Dream Comes True: Sachs Sends Regard with Poignant Elegy In the realm of contemporary queer auteurs, there isn’t anyone quite like Ira Sachs and his collaborating writer/partner Mauricio Zacharias who utilize cinema as a medium...
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“A MAN OF HIS TIME”
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THE STORY – In 1940, Henri Marre arrives in Vichy with aspirations to publish his manuscript Notre Salut, which he hopes will rescue France from the Vichy regime. THE CAST – Swann Arlaud, Sandrine Blancke & Mathieu Perotto THE TEAM – Emmanuel...
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“VIVA CARMEN”
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THE STORY – In the back alleys of Seville, Salva, Belén, and their gang of street kids will brave every danger to ward off the threat hanging over Carmen, a free-spirited and flamboyant young woman. The fate of Carmen, a rebellious...
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Cannes 2026: The Man I Love, Orange-Flavoured Wedding
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Ira Sachs and Rami Malek come to Cannes.
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Cannes Review: The Man I Love Presents a Lovingly Detailed World and Lacking Lead Performance
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In Ira Sachs’ last film, Peter Hujar’s Day, the director used a rigorous framing device––a purposefully banal interview that took place in 1974 between the eponymous New York photographer and the writer Linda Rosenkrantz––as a way of opening a window...
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