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Rotterdam Review: Chronovisor Uncovers the Greatest Conspiracy Never Told
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It’s a tall tale out of a Borges story, the wildest conspiracy theory you’ve never heard. In the 1960s, Italian Benedictine monk Pellegrino Ernetti claimed to have invented a machine that allowed one to see and photograph the past. A...
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TAKE ME HOME
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(The 2026 Sundance Film Festival kicks off Thursday, January 22 and runs through Sunday, February 1 for, sadly the last time, in and around Park City, Utah. Check out M.J. O’Toole’s Take Me Home movie review, fresh from the fest. Seen it?...
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“THE GALLERIST”
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THE STORY – A gallerist, desperate, hatches a scheme to sell a dead guy at Art Basel Miami. THE CAST – Natalie Portman, Jenna Ortega, Da’Vine Joy Randolph, Catherine Zeta Jones, Sterling K. Brown, Daniel Brühl, Zach Galifinakis, & Charlie...
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‘Dracula’ Review: Luc Besson’s Frustratingly Inert Reimagining of Bram Stoker’s Classic
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Not even a typically scenery-chewing Christoph Waltz can enliven the proceedings. The post ‘Dracula’ Review: Luc Besson’s Frustratingly Inert Reimagining of Bram Stoker’s Classic appeared first on Slant Magazine.
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‘Nuisance Bear’ Review: A Beautifully Shot Eco-Doc That Reflects on a Changing World
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The film is at its most powerful when its message is condensed down into a single image. The post ‘Nuisance Bear’ Review: A Beautifully Shot Eco-Doc That Reflects on a Changing World appeared first on Slant Magazine.
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Sundance Review: Kogonada’s Free-Flowing Zi is an Experimental Career Reset
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A filmmaker attempting a career reset following an ill-received feature of larger scope often offers a fascinating study in artistic rejuvenation, be it David Lynch’s Blue Velvet or M. Night Shyamalan’s The Visit. Following his lovely debut Columbus and strange,...
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Sundance Review: Andrew Stanton’s In the Blink of an Eye is Technofuturist Propaganda
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Certain warning signs might signal a film’s poor quality: calendar release date, lack of promotional materials, a lack of press screenings, late embargoes, a late premiere in a festival. A critic’s duty is to push these aside in the sincere...
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Rotterdam 2026 Review: PROVIDENCE AND THE GUITAR Falls Silent on the 21st Century
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Directed by Portugal's João Nicolau, the film enjoyed its world premiere as the opening night selection of the International Film Festival Rotterdam (IFFR). [Read the whole post on screenanarchy.com...]
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Sundance 2026 Review: JARIPEO, Queer Identity in Masculine Arena
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Efraín Mojica and Rebecca Zweig offer a glimpse into the lives of Mexican queer cowboys in their documentary. [Read the whole post on screenanarchy.com...]
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Sundance 2026 Interview: BURN Writer-Director Makoto Nagahisa Wants His Sophomore Feature To Affect You
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The 'We Are Little Zombies' director discusses his flammable new feature. [Read the whole post on screenanarchy.com...]
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