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ANYWHERE ANYTIME
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(The 2024 Toronto International Film Festival runs September 5-15 and HtN has you covered once again. Check out Chris Reed’s Anywhere Anytime movie review. Seen it? Join the conversation with HtN on our Letterboxd Page.) Life can be a challenge for migrants everywhere....
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SMALL THINGS LIKE THESE Trailer: Cillian Murphy Contends with Guilt and Complicity in New Irish Drama
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Following up his Oscar-winning performance in Oppenheimer, Cillian Murphy stars as a devoted father dealing with the complexity of discovering a terrible truth in Small Things Like These. Belgian filmmaker Tim Mielants directs this adaptation of the novel by Claire...
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Cillian Murphy Returns in First Trailer for Small Things Like These
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Premiering at Berlinale before his Oscar win for Christopher Nolan’s Oppenheimer but now arriving many months after, Cillian Murphy will next be seen in Small Things Like These. Also starring Emily Watson, Michelle Fairley, and Eileen Walsh, Tim Mielants’ Berlinale...
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THE GREAT SALISH HEIST: The First-Ever Indigenous Heist Film
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This will be neat, and if nothing it will be worthy of your support in the coming days. Darrell Dennis' film, The Great Salish Heist, will be going nationwide in Cineplex cinemas on September 28th, in honour of National Truth...
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A Different Man | Review
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The Face of Another: Schimberg Scrutinizes the Pratfalls of Face Value Those familiar with his 2018 sophomore film Chained for Life will likely notate director Aaron Schimberg’s fascination with circuitous identity crises in A Different Man. The title is but...
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‘Never Let Go’ Review: Is She or Isn’t She? It’s a Dubious Question in Alexandre Aja’s Horror Film
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The film becomes virtually incoherent in a ploy to keep us on the edge of our seats. The post ‘Never Let Go’ Review: Is She or Isn’t She? It’s a Dubious Question in Alexandre Aja’s Horror Film appeared first on...
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EASTERN CONDORS and NO COUNTRY FOR OLD MEN Lead Criterion in December 2024
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From Sammo Hung's Far East to the Coen Brothers' West (Texas), plus on 4K: Wim Wenders' 'Paris, Texas' and Fellini's '8 1/2.' [Read the whole post on screenanarchy.com...]
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Toronto 2024 Interview: THE GESUIDOUZ Director Kenichi Ugana Talks Punk, Transnationalism, and Childhood
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If you're a genre fiend with a taste for the low-budget and oddball, you might have noticed Kenichi Ugana's name appearing time and again over the past few years at festivals such as Fantasia, Japan Cuts, and Nippon Connection. With...
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Masterful Japanese Noir Yokohama BJ Blues Receives New Trailer Ahead of December Rerelease
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Rarely am I devoting column space (whatever that means in virtual realms) to individual home-video releases––at least if they’re not likely to receive a complementary theatrical run. But I’m unusually elated seeing a favorite discovery get the upgrade most would...
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Interview: Lisandro Alonso – Eureka
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It would be the longest hap between films and certainly his most ambitious project to date (it was rumored to span all the continents but the pandemic would have changed plans), Argentinean filmmaker Lisandro Alonso‘s Eureka (which premiered in the...
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