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Friday One Sheet: CRIME 101, And Character Work
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A gritty-glossy (and subtly distressed) series of character posters dropped recently for Bart Layton's (The Imposter)'s adaptation of Don Winslow's (The Savages) heist potboiler about literal highway robbery, Crime 101, in anticipation of its February release. Framed in ultra close-up,...
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The B-Side Ep. 175 – Rachel McAdams
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Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we celebrate Canadian greatness. We celebrate Rachel McAdams! Our B-Sides...
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Sundance 2026 Review: THE ONLY LIVING PICKPOCKET IN NEW YORK, An Ode to Times and Peoples’ Past
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John Turturro, Jamie Lee Curtis, Steve Buscemi, Giancarlo Esposito, Tatiana Maslany and Will Price star in writer/director Noah Segan's character study / crime drama. [Read the whole post on screenanarchy.com...]
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New to Streaming: Sundance 2026, Peter Hujar’s Day, Ella McCay & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. 2026 Sundance Film Festival While Sundance Film Festival kicked off last week in Park...
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Ha-chan, Shake Your Booty! | 2026 Sundance Film Festival Review
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Strictly Soft Gloom: Wladyka’s Bereft Bliss Puts Spotlight on Rinko Kikuchi Healing comes in baby steps — and dance steps in Josef Kubota Wladyka’s warm and rebellious third feature film outing. Conjoining the absurd with reality-check seriousness, like a trendy...
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Sundance 2026 Review: THE WEIGHT, Ethan Hawke Leads Period Crime-Drama
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Russell Crowe also stars in director Padraic McKinley's crime drama. [Read the whole post on screenanarchy.com...]
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Sundance Review: Josephine is a Stomach-Churning Portrait of Lost Innocence
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Perspective is everything in Beth de Araújo’s Josephine, a stomach-churning drama focused on the loss of innocence and the ill-equipped guidance—both parental and bureaucratic—that can compound enduring trauma. We first meet eight-year-old Josephine (Mason Reeves, in a remarkable debut performance)...
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The Love That Remains Review: A Cathartic, Impressionistic Portrait of Love and Loss
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Note: This review was originally published as part of our 2025 NYFF coverage. The Love That Remains opens in theaters on January 30. Hlynur Pálmason’s fourth feature marks a soft, Malickian left turn for the man behind the icy-bleak dramas...
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A Poet Review: A Darkly Humorous Tale of Failed Creative Pursuits
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Note: This review was originally published as part of our 2025 Cannes coverage. A Poet opens in theaters on January 30. Far removed from the mournful yearnings of A Quiet Passion––much less the quotidian, calming rhythms of Paterson––Simón Mesa Soto’s...
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Islands Review: Sam Riley-Led Neo Noir Plays It Too Safe
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Note: This review was originally published as part of our 2025 Berlinale coverage. Islands opens in theaters on January 30. Sam Riley stars as Tom, a washed-up tennis-pro-turned-coach at a luxury island hotel on the Canary Islands, in Islands, the...
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