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In the Forests of the Night: Gray Frames Fearful Symmetry Had James Gray been prolific during the glory days of New Hollywood from the late 1960s through the 1970s, he would have been cemented as an iconoclast among the likes...

In a cinema that has worked with themes of escalating moral and psychological pressures, corruption of institutions and personal ethics, with a dash of emotional obsession and destructive intimacy, Rodrigo Sorogoyen makes his first trip to the competition section with...

What’s Love Got to Do with It?: Sorogoyen Visualizes Dysfunction & Creative Catharsis Although it’s a familiar trope, an absent father utilizing a complex ruse to reunite with a child abandoned from a previous relationship, Rodrigo Sorogoyen distills potential extremes...

The VIP jacket wearing Hirokazu Kore-eda is one of Cannes’ most regular presences, with seven films selected over the years and one Palme d’Or under his belt. So far he has showcased 2001’s Distance, 2004’s Nobody Knows (which won Best...