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Strawberries (La más dulce) | 2026 Cannes Film Festival Review
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Fruit on the Vine: Marrakchi Harvests Bitter Justice “We give our bodies. All that for peanuts,” is an anguished remonstrance from the protagonist in Strawberries, the first feature film from Moroccan filmmaker Laïla Marrakchi in over a decade. A story...
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Another Day (Garance) | 2026 Cannes Film Festival Review
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Rosé is the Warmest Color: Herry Explores a Liver of No Return In several ways, Jeanne Herry’s latest socially conscious drama Garance (unfortunately outfitted with the inconspicuously bland international title, Another Day) serves as a maturation of her storytelling style,...
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Sound And Vision: Gus van Sant
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In the article series Sound and Vision we take a look at music videos from notable directors. This week we look at selected music videos by Gus van Sant. Gus van Sant is a weird director, but you wouldn't necessarily...
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Sophie Thatcher and Charles Melton Lead First Teaser for Nicolas Winding Refn’s Her Private Hell
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A full decade since The Neon Demon—with mega-length streaming projects Too Old to Die Young and Copenhagen Cowboy perhaps comprising a separate, wholly worthwhile career—Nicolas Winding Refn has returned to feature filmmaking. From the first look, it seems little, thankfully,...
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Cannes 2026 Video #5: Festival Dispatch with Ben Kenigsberg
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Longtime correspondent Ben Kenigsberg discusses the latest from two Cannes-favorite auteurs.
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HOPE: Watch The Teaser Trailer For Na Hong-jin’s Sci-fi Creature Feature
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Potty-mouthed police officers and hill people try to cope with a mysterious creature that's ripped their home to shreds. [Read the whole post on screenanarchy.com...]
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RICK AND MORTY S9 Review: A Boy and His Grandpa, More Cosmic Than Ever
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The sci-fi comedy series returns on Adult Swim for a ninth season of intergalactic adventures and cosmic mischief. [Read the whole post on screenanarchy.com...]
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Cannes Review: Na Hong-Jin’s Hope Is a High-Octane Creature Feature That Falls Flat
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It’s never night in Hope Harbor. At least so long as we’re there. The eschatological events of writer-director Na Hong-Jin’s high-octane, highly anticipated Hope unfold over the course of one long, grueling, nonstop chase of a day for its rag-tag...
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Interview: Boots Riley on His Sophomore Feature ‘I Love Boosters,’ Capitalism, and Theft
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Riley discusses how he views boosting as inherent to capitalism. The post Interview: Boots Riley on His Sophomore Feature ‘I Love Boosters,’ Capitalism, and Theft appeared first on Slant Magazine.
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Jia Zhangke, Claire Denis, and Sam Raimi Set Next Features
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A pair of international cinema’s greatest directors have confirmed their next features. First up: while Jia Zhangke is at Cannes to premiere his new, 32-minute short Torino Shadow, he’s unveiled his next feature, following the culminating Caught by the Tides....
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