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The Young Woman and the Sea Review: Trudy Ederle Biopic Is Flotsam and Jetsam
by admin|12 months ago|Slant Magazine
The film is mostly content to see its protagonist as an implacable force of self-determination. The post <em>The Young Woman and the Sea</em> Review: Trudy Ederle Biopic Is Flotsam and Jetsam appeared first on Slant Magazine.
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Ezra Review: An Honest Family Portrait With Some Third-Act Troubles
by admin|12 months ago|The Film Stage
Let’s start here: watching Bobby Cannavale and Robert De Niro argue on a New York City street while cars angrily beep their horns is electric. Truly exhilarating to watch. Likewise, watching the great Rose Byrne manage multiple emotions on her...
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First Trailer for Leos Carax’s It’s Not Me Goes Inside the Mind of a Visionary
by admin|12 months ago|The Film Stage
Returning to the Cannes Film Festival after Annette, Leos Carax premiered his 40-minute cinematic self-portrait It’s Not Me. Thankfully snapped up by Sideshow and Janus Films for a North American release, it’ll actually get a French release in a few...
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A Look at the Cannes 2024 Critics Grids
by admin|12 months ago|Hammer to Nail
The 77th Cannes Film Festival just wrapped, premiering many new buzzworthy titles that industry folks and cinephiles are still talking about. Even though Hammer To Nail did not attend the festival this year, we kept track of what our fellow...
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We Are Lady Parts is TV at its Finest
by admin|12 months ago|Roger Ebert
Think of a perfect punk song: Crashing drums, sonorous vocals, jaw-dropping guitar solos that leave the listener in awe, a bassline that makes the very cells of the body vibrate. The song takes neither too much nor too little time...
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Cannes 2024 Review: UNIVERSAL LANGUAGE, A Triumph for Canadian Cinema
by admin|12 months ago|Screen Anarchy
Canadian filmmaker Matthew Rankin directs and stars in his new Winnipeg-set, Farsi-language comedy feature. [Read the whole post on screenanarchy.com...]
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Slaughterhouse-Two: Asmae El Moudir’s Moving into Rabat for “Holy Cow”
by admin|12 months ago|Ioncinema
Not to be confused with Louise Courvoisier’s excellent feature debut which just received its world premiere at the Cannes Film Festival in the Un Certain Regard section, The Mother Of All Lies helmer Asmae El Moudir might indeed be making...
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In a Violent Nature Director Chris Nash on Creating a New Kind of Slasher, Gus Van Sant, and the Best Friday the 13th Movie
by admin|12 months ago|The Film Stage
Premiering at Sundance to rave reviews earlier this year, In a Violent Nature instantly set itself apart from the glut of recent independent horror films via its very deliberate vision. Anyone cynical about the genre’s ubiquity will be undeniably impressed...
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IN A VIOLENT NATURE Review: Monstrous Slasher, Impending Doom
by admin|12 months ago|Screen Anarchy
Writer/director Chris Nash deconstructs, then rebuilds a classic horror monster in fiercely modern terms. [Read the whole post on screenanarchy.com...]
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A Conversation with Joanna Arnow, Babak Tafti & Scott Cohen (THE FEELING THAT THE TIME FOR DOING SOMETHING HAS PASSED)
by admin|12 months ago|Hammer to Nail
Joanna Arnow is a writer, director, cinematographer, editor and actress hailing from New York City. Prior to her feature debut The Feeling That The Time For Doing Something Has Passed, Joanna had already solidified herself as a filmmaker with a...
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