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Cannes Review: Francis Ford Coppola’s Megalopolis is a Garish Wonder to Behold
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If you dove head first into Francis Ford Coppola’s Megalopolis, you would get a concussion. The filmmaker’s supposed opus––a glitzy, gargantuan, long-gestating project that he conceived of in the late ‘70s, attempted to make more than once in the ‘80s,...
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Friday One Sheet: IN A VIOLENT NATURE
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This gritty poster for Chris Nash's original and disturbing slasher film was designed by The Boland Design Company, and unironically features the word "gnarly" in the top pull quote.  When designing a poster for a slasher (or for that matter,...
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Francis Ford Coppola on Having No Regrets with Megalopolis and the Films He’d Never Re-Edit
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After batting around the mind of Francis Ford Coppola for nearly half-a-century, Megalopolis was bestowed upon the world yesterday at the Cannes Film Festival. While reactions were expectedly divisive, and our review will be arriving shortly, we’ve now gleaned more...
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Cannes 2024 Review: HOLY COW, French Cheese-Making Dramedy Is a Finely Crafted Debut Feature
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Louise Courvoisier directed. A brash young man is humbled by provincial life. [Read the whole post on screenanarchy.com...]
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Vingt Dieux (Holy Cow) | 2024 Cannes Film Festival Review
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Smells Like Entrepreneurial Spirit!: Courvoisier Climbs Up the Totone Poll In her directorial debut, Louise Courvoisier delves into themes of altruism and resilience, navigating a narrative that straddles the line between a troubled past and an uncertain future. It’s got...
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Pablo Larraín: Apichatpong Weerasethakul’s Films Make “Me Feel Less Lonely”
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Launched last year by Wes Anderson’s producing partners at Indian Paintbrush, GALERIE has emerged as a well-curated film club publishing unique selections of films from artists with their personal annotations. With past lists from the likes of James Gray, Ed...
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BACKSPOT
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(Check our Chris Reed’s movie review of Backspot, in theaters now. Seen it? Join the conversation with HtN on our Letterboxd Page.) In Backspot, the feature debut of Canadian director D.W. Waterson, the competition may be fierce, but at the end...
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Cannes Review: In Bird, Andrea Arnold’s Experiment in Magical Realism Rarely Takes Off
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This year’s Cannes competition began with a film set in a working-class environment where a young woman with a single mother dreamed of escaping it all through dance. It was Agathe Riedinger’s Wild Diamond, but squint the eyes and forget...
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Watch Martin Scorsese’s Bleu de Chanel Ad Starring Timothée Chalamet
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Martin Scorsese’s latest directorial effort and first collaboration with Timothée Chalamet is upon us––it just happens to clock at 1/206th Killers of the Flower Moon‘s length and point us towards a product. But this Bleu de Chanel ad features nearly...
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BACK TO BLACK Review: Amy Winehouse Gets the Conventional Biopic Treatment
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Marisa Abela stars in the music-themed drama, directed by Sam Taylor-Johnson. [Read the whole post on screenanarchy.com...]
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